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  1. Experimental music. Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. [1] Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in ...

  2. Dec 17, 2019 · In 1975 GRM was incorporated into INA (France’s National Audiovisual Institue) and soon after began releasing records of some of the aforementioned composers’ works along with new pieces by Ivo Malec, Jean-Claude Risset, Guy Reibel, Michel Redolfi and others. Throughout the 1970s at GRM a number of projects aimed at integrating computer ...

  3. John M. Chowning (/ ˈ tʃ aʊ n ɪ ŋ /; born August 22, 1934, in Salem, New Jersey) is an American composer, musician, discoverer, and professor best known for his work at Stanford University, the founding of CCRMA – Center for Computer Research in Music and Acoustics in 1975 and his development of the digital implementation of FM synthesis and the digital sound spatialization while there.

  4. Given Cowell’s influence as well as Asch’s open-minded aesthetic pluralism, it is not surprising that Folkways also has an impressive collection of experimental music. John Cage (1912–92) used the term “experimental” to describe a specific repertory of contemporary music. “An experiment,” he said, “is an act, the outcome of ...

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  5. For example, Jazz et jazz by André Hodeir, a result of the early years of musique concrète, is a 41 The ‘Première décade internationale de musique expérimentale’ was held in Paris from 8 to 18 June 1953. 42 The American society for the rights of authors, Broadcast Music, Inc., was founded in 1939. 43 See infra.

  6. Schaeffer's lecture 'Vers un musique experimentale' at a conference in Paris in 1953.5 Schaeffer employed the term to refer to music produced in a laboratory, thus especially that involving electronics, tape or computers, used in various ways that can be compared to scientific experiments. This type of definition was taken up by Lejaren Hiller ...

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  8. Nov 30, 2007 · Reshaping the Musical Experience: A Critical Examination of Musique Concrète and the Notion of ‘Music of Technology’. INSAM Journal of Contemporary Music, Art and Technology, p. 136. INSAM Journal of Contemporary Music, Art and Technology, p. 136.

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