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Pseudolus. Pseudolus is a play by the ancient Roman playwright Titus Maccius Plautus. It is one of the earliest examples of Roman literature. Pseudolus was first shown in 191 B.C. during the Megalesian Festival, [1] which was a celebration for the Greek Goddess Cybele. [2] The temple for worship of Cybele in Rome was completed during the same ...
Pseudolus is a play by the ancient Roman playwright Titus Maccius Plautus. It is one of the earliest examples of Roman literature. Pseudolus was first shown in 191 B.C. during the Megalesian Festival, which was a celebration for the Greek Goddess Cybele. The temple for worship of Cybele in Rome was completed during the same year in time for the festival.
d and amaze Roman audiences and even the readers of today. Of the remaining Plautine comedies, the Pseudolus is one of Plautus’ most artful pieces, containi. g the wiliest characters amongst his creations: Pseudolus. Since this comedy focuses on a slave, the lifestyle and characteristics of a Ro. an slave is important in understanding the ...
Pseudolus. Mosaic of Actors Preparing to Perform a Play. As in both the plays of Aristophanes and Menander, the roman playwright Plautus addresses the issues of class consciousness and status in his works. Plautus particularly addresses the influence that class and status had on ancient Roman society and thinking.
Acted at the Megalesian games when Marcus Junius, son of Marcus, was city praetor. Plot Summary 1. A soldier pays fifteen minutes cash down, and at the same time affixes his seal to a token, so that the pimp will give Phoenicium to the man who brought its equivalent with the rest of the money. Pseudolus cheats the soldier’s servant out of the ...
Just as Plautus expanded the role of the clever slave, he is likely to have inserted himself this scene of Simo’s praise of Pseudolus, a scene which borders on hero worship. In the last scene of the play, Simo is subject to remarkable mood swings. In 1291–91a he decides to be gentle to Pseudolus, just as in the last scene of the fourth act ...
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Like the Curculio, the first scene of the Pseudolus (ll. 3–132) begins with a young man who is in tears because his girlfriend, who belongs to a pimp, is going to be taken away from him. The young, impecunious man in the Pseudolus is called Calidorus, and Pseudolus, the eponymous hero of our play, is the clever slave who will help him.
