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May 23, 2016 · All three came from the more sophisticated, urban blues scenes of Chicago and New York. In early summer 1952, ... His first hit, ‘Rock Island Line’, made the US Top 10 in 1956, a rare ...
- Bessie Smith (1894-1937) Known as "The Empress of the Blues," Bessie Smith was the best and most famous female singer of the 1920s. A strong, independent woman and a powerful vocalist who could sing in both jazz and blues styles, Smith was the most commercially successful of the era's singers.
- Big Bill Broonzy (1893-1958) Perhaps more than any other artist, Big Bill Broonzy brought the blues to Chicago and helped define the city's sound. Born on the banks of the Mississippi River, Broonzy moved with his parents to Chicago in 1920, picked up the guitar, and learned to play from older bluesmen.
- Blind Lemon Jefferson (1897-1929) Arguably the founding father of Texas blues, Blind Lemon Jefferson was one of the most commercially successful artists of the 1920s and a major influence on younger players including Lightnin' Hopkins and T-Bone Walker.
- Charley Patton (1887-1934) The biggest star in the 1920s Delta firmament, Charley Patton was the region's E-ticket attraction. A charismatic performer with a flashy style, talented fretwork, and flamboyant showmanship, he inspired a legion of bluesmen and rockers, from Son House and Robert Johnson to Jimi Hendrix and Stevie Ray Vaughan.
In the 1960s, a new generation of musicians and music lovers began to rediscover the power and beauty of this timeless genre, sparking a cultural renaissance that would come to be known as the Blues Revival. The driving force behind this revival was a deep fascination and appreciation for the music’s rich history and cultural significance.
For biographical information, see David Robertson, W. C. Handy: The Life and Times of the Man Who Made the Blues (New York: Alfred A. Knopf, 2009). 75 75 ‘You Can't Lose What You Ain't Never Had’ was released in 1964 on Chess Records as the B-side to ‘The Same Thing’ (1895).
- Ross Graham Cole
- 2018
Paul Oliver, probably the world's foremost scholar of the blues, first heard African-American vernacular music during World War II when a friend brought him to listen to black servicemen stationed in England singing work songs they had brought with them from the fields and lumber camps of the Deep South. Oliver was enthralled by the rhythm and drive of the music and the spontaneous ...
Aug 9, 2014 · Pioneers of the Blues Revival. Steve Cushing. 400 Pages. ISBN: # 978-0252038334. University of Illinois Press. 2014. "Pioneers of the Blues Revival documents the efforts of a quirky set of researchers who slowly pieced together a version of blues history and meaning. This dedicated cohort, despite their widely different backgrounds, somehow ...
Oct 4, 2023 · By making the most of her time in New York – an experience marked by the artist’s fascination with the rock and rhythm and blues shows of 1950s Brooklyn as much as the Village performances of the 1960s folk era – cultivating allies among fellow artists, and supporting Indigenous causes, Buffy Sainte-Marie charted a rare path forward as an influential artist and activist whose story ...
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