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  1. Budget. $22,769. Box office. $692,585 [ 2 ] The Living End is a 1992 American comedy-drama film by Gregg Araki. Described by some critics as a "gay Thelma & Louise," the film is an early entry in the New Queer Cinema genre. The Living End was nominated for a Grand Jury Prize at the Sundance Film Festival in 1992.

  2. Jul 21, 2024 · The Living End follows two HIV-positive men, Luke and Jon, who embark on a nihilistic road trip after Luke kills a police officer. As they navigate their uncertain future, the film delves into ...

  3. Aug 21, 1992 · The Living End is a 1992 film directed by Gregg Araki, centered on two HIV-positive men, Jon and Luke, who embark on a dangerous and liberating road trip across the United States. As they challenge societal norms and confront their own fears, the film explores themes of alienation, survival, and defiance against a backdrop of the AIDS crisis in early 90s America.

  4. Sep 3, 2023 · While Araki became best known for his Teenage Apocalypse trilogy, which featured Totally Fucked Up, Nowhere and The Doom Generation, his third movie, The Living End, remains his most powerful meditation on queer disillusionment and anger. Released in 1992, the movie follows two young gay men, Jon and Luke (no doubt a play on Jean-Luc Godard’s ...

  5. The Living End is a 1992 American comedy-drama film by Gregg Araki. Described by some critics as a "gay Thelma & Louise," the film is an early entry in the New Queer Cinema genre. The Living End was nominated for a Grand Jury Prize at the Sundance Film Festival in 1992.

  6. 75% 61%. Running time: 1h 32m. Genre: Comedy, Drama. A gentle film critic hooks up with a violent drifter in this HIV-positive road movie, which marked the emergence of writer/director Gregg Araki ...

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  8. www.cinemaqueer.com › review pages 2 › living endthe living end - CinemaQueer

    The Living End recalled the agitprop of Godard's films; it was like a torch passed from 60s Marxist cinema. Coming after too many years of watching gay men and women as victims on the silver screen, The Living End was both a bolt of lightning and a breath of fresh air. Though sometimes amateurish, and at times featuring less-than thespian ...

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