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Apollo and Daphne was commissioned after Borghese had given an important work of his patronage, Bernini's The Rape of Proserpina (1621-22), to Cardinal Ludovico Ludovisi. [1] Through this generous gesture, Borghese hoped to ingratiate himself to the favored nephew of the new pope, Gregory XV.
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The sculpture was the last of a series of works commissioned by Cardinal Scipione Borghese at the beginning of Bernini’s career. Apollo and Daphne’s sculpture was ordered after Borghese transferred the earlier work of his patronage, Bernini’s Pluto and Persephone, to Cardinal Ludovico Ludovisi. Most of the work was done in 1622-23, but there was a ...
When Phoebus (Apollo), clothed with Cupid’s love arrow, sees Daphne, the daughter of Peneus, the river god, he is amazed at her beauty and absorbed in desire. But Daphne was doomed to Cupid’s repulsive love and denied the love of men. When the Nymph runs away, he ruthlessly pursues her – pleading and promising everything. When her strength is final...
Apollo and Daphne is a complex portrayal of rapid movement. It can be viewed from all angles. Every time you can notice something new in the composition.For example, if you look at the sculpture for the first time, you will see Apollo chasing Daphne. But after a while, you begin to notice the magical transformation of a living being into a tree. In...
Nov 2, 2023 · Apollo and Daphne, one of Gian Lorenzo Bernini’s first major commissions, was completed between 1622 and 1625 for Cardinal Scipione Borghese, a great art patron and nephew of Pope Paul V. Carrying the symbolism of lust versus rejection, the sculpture stands vigorously as one of Bernini’s greatest accomplishments.
A series of over-lifesize marble statues commissioned by Cardinal Scipione Borghese for his villa in Rome announced Bernini’s novel style and established his role as the foremost sculptor in Italy. One of these works, the Apollo and Daphne (1622–24; Galleria Borghese, Rome), illustrates the typically Baroque theme of metamorphosis.
Dr. Steven Zucker: [0:04] We’re in the Galleria Borghese in Rome, and we’re looking at one of Bernini’s first major commissions, “Apollo and Daphne.” Dr. Beth Harris: [0:12] This is a fabulous story of Eros, the god of love, causing quite a bit of mischief. Dr. Zucker: [0:18] People may know Eros as Cupid.
The subject of the sculpture group is the tale told by Ovid in the Metamorphoses: taking vengeance on Apollo, Cupid strikes him with a golden arrow that causes him to fall in love with the nymph Daphne, a follower of Diana. At the same time, Cupid shoots a dart of lead at the maiden, inducing her to reject the love of the god.
Gian Lorenzo Bernini created an unprecedented masterpiece for Cardinal Scipione Borghese depicting the chaste nymph Daphne being turned into a laurel tree, pursued in vain by Apollo god of light.
