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- Dieterich Buxtehude and Johann Sebastian Bach were regarded in the Baroque period as highly skilled organ improvisers.
en.wikipedia.org/wiki/Musical_improvisation
Yet it is well known that in the Baroque era every professional musician was expected to possess this “gift.” Within the rich diversity of improvisational genres and forms that made up the standard set for which a Baroque improviser was to be prepared, fugue held the greatest place of honor.
Feb 10, 2019 · This volume aims to investigate the role and forms of improvisation in Baroque music under many of its multifaceted aspects, in a study that will define the links between creative process and executive practice.
Handel and Bach frequently improvised on the harpsichord or pipe organ. In the Baroque era, performers improvised ornaments, and basso continuo keyboard players improvised chord voicings based on figured bass notation.
Baroque organs were tuned not in a ‘tempered’ fashion, but ‘mitteltőnig’ (middle-tuned, i.e. one tone above the normal ‘A’), resulting in a rich, warm and resonant tone. They were the perfect instruments for Bach to explore extraordinary sound possibilities and to create many of his organ and choral masterpieces.
The volume Musical Improvisation in the Baroque Era, edited by Fulvia Morabito, is a welcome addition to the increasing literature related to this subject. It aims to investigate the role and forms of improvisation in baroque music, as well as to set up links between creative process and practice.
Jul 10, 2018 · This chapter discusses French Baroque organ music from published and manuscript sources, its liturgical context as well as the instrument itself. Throughout the period, the French organ retained a consistency of design and liturgical use that was unique.
Improvisation was a critical component of baroque organ music, allowing musicians to showcase their creativity and technical prowess during performances. This practice not only emphasized individual artistry but also reflected the improvisatory nature of many musical forms in the Baroque period.