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Apr 1, 2018 · Philip Astley … in 1768 drew a 13 metre (42ft) diameter ring on the ground and filled it with men and women standing on the backs of cantering horses plus clowns, jugglers and other marvels – [and thus] the modern circus was born. April 4, 2018 people 04.01.18. Previous Putting Ta-Nehisi Coates’s ‘Between The World And Me’ Onstage.
Philip Astley (8 January 1742 – 20 October 1814) was an English equestrian, circus owner, and inventor, regarded as being the "father of the modern circus". [1] [2] Modern circus, as an integrated entertainment experience that includes music, domesticated animals, acrobats, and clowns, traces its heritage to Astley's Amphitheatre, a riding school that Astley founded in London following the ...
May 26, 2024 · To understand how Philip Astley came to invent the circus, we first have to look at the world he grew up in. Born in 1742 in Newcastle-under-Lyme, England, Astley came of age during the reign of King George III, a time of rapid social and economic change in Britain. The Industrial Revolution was just beginning to transform the country, as new ...
A circus is a company of performers who put on diverse entertainment shows that may include clowns, acrobats, trained animals, trapeze acts, musicians, dancers, hoopers, tightrope walkers, jugglers, magicians, ventriloquists, and unicyclists as well as other object manipulation and stunt-oriented artists. The term circus also describes the ...
- Bringing in The Clowns
- The Bellowing Horse Whisperer
- Getting The Show on The Road
- Under The Stage Limelight
The breakthrough came when he had the idea to add street performers to his act. Jugglers and acrobats had existed for centuries but only as separate performers at fairs and country shows. What really made the transition to all-round family entertainment was when Astley pioneered a “marriage” between equestrianism and clowning. Clowns had been aroun...
No wild animals were involved inside Astley’s ring. Elephants, tigers and lions had no part to play in the early circus. For Astley, it was all about demonstrating the bond between horse and man. He had a unique way of training the horses with repetition followed by reward, followed by repetition and reward, over and over again. Any disturbance to ...
In time Astley performed in the open-air arenas and built permanent sites in Dublin, Paris and as far afield as Vienna. 19 permanent circus venues were established in Europe. This family-friendly form of entertainment was developed by others and quickly spread to America, where they added the big top and introduced wild animals and a separate tent ...
Astley died in Paris on 27 January 1814 but his legacy – despite not getting the recognition it deserves – lives on in variety performances to this day. Astley gave us jugglers, clowning, acrobats and “mind-reading” animals. He gave us brilliant horsemanship; he gave us slack wire dancing and human pyramids, and and all of it could be enjoyed by yo...
- Mike Rendell
Philip Astley (1742-1814) is considered the “father of the modern circus”. He was an equestrian, circus owner, and inventor. Astley was born on January 8th, 1742, in Newcastle-under-Lyme, West Midlands, England. His father was Edward Astley, a veneer-cutter and cabinet maker, and Philip was 9 when he first apprenticed with his father.
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Astley (1742–1814) is the father of the modern circus. He began giving equestrian trick-riding shows at Ha’penny Hatch field in Lambeth Marsh in 1768. In about 1769 Astley opened what is claimed to be the first modern circus, ‘Astley’s Amphitheatre’, at the Lambeth foot of Westminster Bridge. The showman interspersed his own daring ...
