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Alan Howarth (composer) Alan Howarth (born 1948) is an American composer and sound designer who has worked on soundtracks for Hollywood films including the Star Trek and Halloween series, and is known for his collaborations with film director and composer John Carpenter.
Carpenter – who wrote, directed, and composed the original – enlisted composer and sound designer Alan Howarth to collaborate on the music for Halloween II. Howarth went on to score several Halloween movies through 1995, each time reshaping and expanding Carpenter's original impression.
Oct 5, 2023 · Oct 5, 2023. They say there’s no rest for the wicked, and few are as wickedly cool as Alan Howarth. For over 40 years, Howarth has worked as a sound designer and composer, creating sounds that ...
Oct 30, 2015 · Alan Howarth: Yeah, In 1967 or so I started playing high school sock hops with a band called The Tree Stumps. We won battle of the bands and opened up for Paul Revere And The Raiders. That band modulated into another one called the Renaissance Faire, which was more of a west coast influenced band – we were really into The Doors and Jefferson Airplane and Quicksilver Messenger Service.
Alan Howarth’s award – winning film work started on Star Trek – The Motion Picture, launching him as a sound designer for the following 6 Star Trek feature films. Next was “Escape From New York”, collaborating on music with director and composer, John Carpenter, and scor ing for “Halloween s equels 2 – 6″, “Christine”, “Big Trouble in Little China”, “Prince of ...
Here is the full interview that Scotty conducted with Alan Howarth, who was the musical composer and sound designer for Halloween 2 through 6.Alan discusses ...
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Alan Howarth (composer) American composer and sound designer From Wikipedia, the free encyclopedia. Alan Howarth (born 1948) is an American composer and sound designer who has worked on soundtracks for Hollywood films including the Star Trek and Halloween series, and is known for his collaborations with film director and composer John Carpenter.
