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O Romeo, Romeo, wherefore art thou Romeo? Or if thou wilt not, be but sworn my love And I’ll no longer be a Capulet.
Oct 21, 2024 · Shakespeare’s principal source for the plot was The Tragicall Historye of Romeus and Juliet (1562), a long narrative poem by the English poet Arthur Brooke, who had based his poem on a French translation of a tale by the Italian Matteo Bandello.
- David Bevington
- Summary of The Act I Prologue
- Structure of Romeo and Juliet Act I Prologue
- Literary Devices in Act I Prologue
- Analysis of Theact I Prologue
The prologue alludes to the end of the play in which both Romeo and Juliet lost their lives. It is only due to that loss that their “parents’ rage” ends. The lines also specifically address the audienceasking them to list with “patient ears” and find out how the events are going to play out.
These fourteen lines of the ‘Act I Prologue’ take the form of a traditional Shakespearean sonnet. This form, which became known due to Shakespeare’s mastery of it and fondness for it, is made up of three quatrains, or sets of four lines, and one concluding couplet, or set of two rhyming lines. The poem follows a consistent rhyme scheme that conform...
Shakespeare makes use of several literary devices in ‘Act I Prologue’. These include but are not limited to allusion, alliteration, and enjambment. The first of these, allusion, is the most prominent. This entire fourteen-line sonnet is one extended example of allusion. The lines all suggest what’s going to happen next, tap into themes that are elu...
Lines 1-4
In the first lines of the prologue to the famous play Romeo and Juliet the speaker, who is the “Chorus” addresses the audience. This person is all-knowing and has a full understanding of what is about to happen on stage. In the first line, the chorus tells the audience that it is in “Verona” a beautiful of “fair” city that the play is taking place. There are two major households in the city that have a long grudge between them. It has been at a standstill for a period of time but something ne...
Lines 5-8
These families each have a child who is going to be involved in bloodshed and death. It is from the “fatal loins” of the families that a “pair of star-cross’d lovers” emerge. This line is a great example of syncope. Additionally, the reader should take note of the phrase “star-crossed lovers”. Shakespeare coined this term in the ‘Act I Prologue’ which is now used frequently in everyday speech, novels, and movies.
Lines 9-14
In the third quatrain of the ‘Act I Prologue’, the speaker adds that these two children become lovers and commit suicide. It is their deaths that bring an end to the strife. It was only that which could possibly bring these families around and force them to realize what their feuding could result in. In the next lines, the chorus tells the audience to watch for the next “two hours” on the stage as the story of their lives, loves, and deaths play out. The audience should listen patiently and t...
- Female
- October 9, 1995
- Poetry Analyst And Editor
A 1592 poem by Arthur Brooke called The Tragicall Historye of Romeus and Juliet —reportedly translated from an Italian novella by Matteo Bandello—follows the same arc as Shakespeare’s play, but the ending differs in that the nurse, apothecary, and friar are all punished for their involvement in the young lovers’ deaths.
Jun 4, 2020 · The play’s most famous line references the feud between the two families, which means Romeo and Juliet cannot be together. And the line, when we stop and consider it, is more than a little baffling. The line is spoken by Juliet: ‘Romeo, Romeo, wherefore art thou Romeo?’
Romeo goes to the tomb, kills Paris, and poisons himself. Juliet wakes up, finds Romeo dead, and stabs herself. Actually understand Romeo and Juliet. Read every line of Shakespeare’s original text alongside a modern English translation.
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Jul 25, 2020 · Romeo and Juliet, in particular, is a crucial play in the evolution of Shakespeare’s tragic vision, in his integration of poetry and drama, and in his initial exploration of the connection between love and tragedy that he would continue in Troilus and Cressida, Othello, and Antony and Cleopatra.