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Chokher Bali (চোখের বালি) is a 1903 Bengali novel by Rabindranath Tagore that revolves around the central character Binodini and her relationships with three individuals. It explores the extramarital affair between Binodini, a young widow, and Mahendra, an old suitor of hers, the complicated friendship with Asha, Mahendra's wife, and her mutually conflicting feelings with ...
Jul 10, 2023 · Binodini from Chokher Bali: Tagore’s Binodini is an iconoclastic individual, who rebels against the confines of widowhood and is painted with the qualities of grace, intellect and femininity.
Feb 8, 2024 · Throughout the film, Binodini and Ashalata, like many female friends of that era who used to give each other pet names, call each other “Bali,” short for “Chokher Bali,” which means “a grain of sand in the eye,” or as a lot of translations of Tagore’s original work term it, “an eyesore.” They decide upon this ironic name of mutual affection while jesting about how they could ...
Chokher Bali traces the story of Binodini – a beautiful, convent educated widow who cannot easily endure society’s negligence. Binodini is rejected by Mahin, but he later marries the younger and uneducated Asha. Binodini becomes envious of Asha and Mahin’s marital bliss and uses Mahin’s mother Rajlaxshmi’s dislike of Asha to ...
Chokher Bali (2003 film) explained. Chokher Bali (sand in the eye, constant irritant) is a 2003 Indian Bengali language drama film based on the 1903 novel Chokher Bali by Rabindranath Tagore. It was directed by Rituparno Ghosh in 2003 and stars Aishwarya Rai as Binodini and Raima Sen as Ashalata.
Tagore’s Chokher Bali never explores the possibilities of selfactualization for Binodini; instead the novel chastises her individuality by banishing her to a life of penance. Figure 1.Binodini and Asha – two intimate friends In the film the scopophilic pleasure evoked by Binodini’s physical representation is deliberately deployed to highlight her difference from Mahendra’s wife Ashalata.
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Ghosh’s Chokher Bali brings us the “reproduction” of Binodini in our early-twenty first century context and makes us ponder how entrenched the “aura” of tradition is and what role film plays in disrupting this “aura.”. A brief discussion of Tagore’s novel is relevant here. Rabindranath Tagore (1861-1941) is the national poet of ...
