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Dec 23, 2023 · Alice Coltrane (1937-2007) Born Alice McLeod in Detroit, Michigan, she worked as a jazz pianist in various straight-ahead and swinging settings, including with Lucky Thompson, Kenny Clarke and the vibraphonist Terry Gibbs’ quartet. After she met John Coltrane the pair’s lives and music became more overtly spiritual, and she replaced McCoy ...
Sep 7, 2021 · When Miles Davis first heard the music of Eric Dolphy, a key figure in the free jazz movement, he described it as “ridiculous”, “sad” and just plain “bad”. Upon encountering the early sounds of free jazz pioneer Ornette Coleman, Thelonious Monk said “there’s nothing beautiful in what he’s playing.
Bebop and its spinoffs of the 1940s and ’50s took jazz to places that had been unimaginable to earlier generations of fans. During the following decades, the music continued to stretch limits. Whether labeled free jazz or avant-garde, the abstract sounds, dissonant harmonies, and free rhythms of the turbulent 1960s and ’70s provided an edgy ...
jazz. free jazz, an approach to jazz improvisation that emerged during the late 1950s, reached its height in the ’60s, and remained a major development in jazz thereafter. The main characteristic of free jazz is that there are no rules. Musicians do not adhere to a fixed harmonic structure (predetermined chord progressions) as they improvise ...
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Jan 24, 2020 · Influence of time. Free Jazz developed during the late 1950s and is closely linked to a series of historical events. To understand what inspired musicians to create Free Jazz, it is important to take a look at the circumstances at the time. After the Great Depression of the 1930s and the war years of the 1940s, people started to search for new ...
Apr 30, 2024 · Free jazz was a much misunderstood – and even maligned – genre when it emerged in the late 50s, but it resulted in some of the finest modern jazz. Back in 1959, Texan alto saxophonist Ornette ...
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Coleman, in contrast, imagined harmony, melody, and rhythm as equal constituents.”. This philosophy, jazz critic Martin Williams wrote upon hearing Coleman’s debut, was necessary to free jazz from its formal constraints. “Someone had to break through the walls that those harmonies have built and restore ...
