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Oct 27, 2020 · In the pre-production stages, New York Dolls vocalist David Johansen was even considered for Reno’s lead role. Ferrara stepped in as a matter of practicality, as they were unsure how long production would go on. “The Driller Killer” was shot at the end of the 1970s and feels like a product of rage.
Reno Miller is the main antagonist of the 1979 film Driller Killer and is a maniacal serial killer who is a former painter. He is portrayed by Abel Ferrara (credited as Jimmy Laine). Reno lived as a painter who lived in a squalid apartment together with Pamela and her girlfriend Carol who had a secret lover called Stephen. Reno tried to make a living as a painter but always failed one day he ...
Me, I've gotta work. I've got a painting due. I can't work with those guys playing that loud music. Landlord : Look, I can work. But I'm not gonna say anything to them because they don't bother me. Reno Miller : Hey, I'm not kidding here. You either tell those cats to keep it quiet, get rid of them, or I'm not paying the rent!
The Driller Killer is a 1979 black comedy slasher film directed by Abel Ferrara and starring Ferrara (credited as Jimmy Laine), Carolyn Marz, Baybi Day, and Harry Schultz. [ 2 ] [ 3 ] The plot concerns Reno Miller, a struggling artist in New York City , turning insane from stress and killing derelicts with a power drill.
Type. Maniac. Decades of Horror- Reno Miller. The Driller Killer (1979) Trailer. Categories. Community content is available under CC-BY-SA unless otherwise noted.
Oct 1, 2024 · The 16 best serial killer shows streaming on Netflix right now. As the streamer corners the market on murder content, here are the series worth your time. Jonathan Groff on 'Mindhunter'; Penn ...
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In career that has encompassed such controversial classics as Ms. 45, Bad Lieutenant and Welcome to New York, none of Abel Ferrara’s films have quite managed to match the shock, extremity and downright notorious nature of The Driller Killer. Ferrara plays struggling artist Reno, a man pushed to the edge by the economic realities of New York living in the late seventies and the No Wave band ...
