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Dec 6, 2022 · Just as Hopkins’s syntax disrupts readers’ presumptions about the destination that is described in “Heaven-Haven,” the poem’s form challenges readers’ predictions. Hopkins, who wrote this poem early in his poetic career, composed it in an unestablished form.
- Summary
- Structure and Form
- Themes
- Poetic Techniques and Figurative Language
- Detailed Analysis
- Similar Poetry
‘Heaven-Haven: A Nun Takes the Veil’by Gerard Manley Hopkins is a poem that explores the speaker’s yearning for a tranquil and idyllic existence free from hardships. In a concise and emotive manner, the poem expresses the desire to escape to a place where nature flourishes undisturbed and where the storms of life cannot reach. The poem begins with ...
‘Heaven-Haven: A Nun Takes the Veil’ by Gerard Manley Hopkins is a quatrain poem consisting of two stanzas, each containing four lines. The poem follows a distinct structure and form, contributing to its overall impact and meaning. The poem’s quatrain structure creates a sense of balance and symmetry, with each stanza presenting a complete thought ...
In ‘Heaven-Haven: A Nun Takes the Veil.’Gerard Manley Hopkins addresses several distinct themes through vivid imagery and emotional expressions. The poem explores themes of longing, transcendence, and the quest for spiritual sanctuary. One prominent theme is the longing for an idyllic existence. The speaker expresses a deep yearning to escape the h...
Gerard Manley Hopkins employs various poetic techniques and figurative language in ‘Heaven-Haven: A Nun Takes the Veil’ to convey his message effectively and create a vivid sensory experience. 1. Imagery: One technique he utilizes is vivid imagery. Hopkins uses descriptive language to paint a picture of the desired realm, such as the portrayal of f...
Stanza One
In the first stanza of Gerard Manley Hopkins’s poem, ‘Heaven-Haven: A Nun Takes the Veil,’the speaker expresses a deep yearning for an idealized existence, free from the hardships and adversities of the world. The stanza evokes a sense of longing and portrays the speaker’s desire for a serene and tranquil realm. The opening line, “I have desired to go,” immediately establishes the personal and introspective nature of the speaker’s yearning. It conveys a strong sense of longing and a desire to...
Stanza two
In the second stanza of Gerard Manley Hopkins’s poem, ‘Heaven-Haven: A Nun Takes the Veil,’ the speaker continues to express his desire for a sanctuary free from tumultuous disturbances. The stanza delves deeper into the theme of seeking refuge from life’s storms and embracing a serene existence. The stanza begins with the speaker’s declaration, “And I have asked to be,” which emphasizes his active pursuit of this desired state. It conveys a sense of agency and determination in seeking a plac...
Those who enjoyed ‘Heaven-Haven: A Nun Takes the Veil‘ should consider reading some other Gerard Manley Hopkins poems. For example: 1. ‘Between the Breasts’ by E.E. Cummings– is a celebration of sensuality, desire, and the uninhibited pursuit of pleasure, using unconventional language and vivid imagery to evoke intense emotions and challenge tradit...
Study Guide to Heaven-Haven. Hopkins wrote this poem while he was an undergrad at Balliol College, probably in July or August of 1864, during his long vacation from school.
Heaven-Haven. I have desired to go. Where springs not fail, To fields where flies no sharp and sided hail. And a few lilies blow. Read more | Study Guide
Dec 10, 2018 · Where springs not fail, To fields where flies no sharp and sided hail. And a few lilies blow. And I have asked to be. Where no storms come, Where the green swell is in the havens dumb, And out of the swing of the sea.
Hopkins is perhaps more famous for his 1877 nature sonnets which focus on God in nature, but his sonnets of desolation of the 1880s turn inward, returning to the impulse already apparent in “Heaven-Haven,” subtitled “A Nun Takes the Veil”: I have desired to go Where springs not fail, To fields where flies no sharp and sided hail
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May 14, 2018 · His poems reflect his religious struggle ("Nondum"), his guilt ("Myself unholy"), his devotion to the Eucharist ("Barnfloor and Winepress"), and his distrust of the senses and the world ("Heaven-Haven," "The Habit of Perfection").
