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La dolce vita (Italian: [la ˈdoltʃe ˈviːta]; Italian for 'the sweet life' or 'the good life' [ 2 ]) is a 1960 satirical comedy-drama film directed by Federico Fellini. It was written by Fellini, Ennio Flaiano, Tullio Pinelli, and Brunello Rondi. The film stars Marcello Mastroianni as Marcello Rubini, a tabloid journalist who, over seven ...
- Overview
- Production notes and credits
- Cast
- Academy Award nominations (* denotes win)
La Dolce Vita, (Italian: “The Sweet Life”) Italian film, released in 1960, that was widely hailed as one of the most important ever made and the first of several acclaimed collaborations between director Federico Fellini and actor Marcello Mastroianni, who came to represent the director’s alter ego.
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In La Dolce Vita, Mastroianni portrayed a disillusioned journalist and gossip writer, ashamed of the shallowness of his profession but too weak to remove himself from the nightly temptations it offers: booze, easy women, and exotic fun. Rife with irony and surreal imagery whose meaning may only have been known to the director himself, the film is a compelling indictment of the decadence of modern life, mass consumerism, and what passes for high culture.
The film’s opening scene—a helicopter flying a statue of Christ to Rome is juxtaposed with a shot of a bevy of bikini-clad women—is but one of many that mix the sacred with the shallow. Such sequences caused controversy and led some countries—and the Vatican—to condemn or outright ban the film. The sets are strange and exotic, the costumes are elaborate, and many of the movie’s scenes now rank among the most famous in film history, such as one showing the blonde, zaftig Anita Ekberg frolicking in the Trevi Fountain. La Dolce Vita is credited with contributing the word paparazzi to the English language (it derives from the name of the photographer in the film, Paparazzo) and adding the adjective “Felliniesque,” referring in part to the director’s embrace of the surreal, to the movie critic’s lexicon.
•Studio: Astor Pictures Corporation
•Director: Federico Fellini
•Writer: Federico Fellini, Ennio Flaiano, Tullio Pinelli, and Brunello Rondi
•Music: Nino Rota
•Marcello Mastroianni (Marcello Rubino)
•Anita Ekberg (Sylvia)
•Anouk Aimée (Maddalena)
•Annibale Ninchi (Marcello’s father)
•Best director
•Writing
•Costume design (black and white)*
•Art direction (black and white)
- Lee Pfeiffer
Oct 4, 2021 · The term "la dolce vita" now describes a life full of beauty, pleasures, and mundane events, like music, love, and good food. This movie is where the word paparazzi originates from, significantly influencing both Italian and American cultures. Directors like Quentin Tarantino and Sofia Coppola have drawn inspiration from this masterpiece.
Apr 4, 2010 · Coming as it did at the end of the 1950s, La dolce vita is a film that sums up the excesses and follies of that decade, and also gestures toward the onrushing 1960s. With La dolce vita, Fellini ended his first great decade as a filmmaker. Perhaps significantly, Fellini’s next feature film, 8½ (Otto e mezzo, 1963), dealt with creative block ...
Oct 20, 2018 · figurative meaning. But this statement is almost always concerned with the figurative meaning of la dolce vita. And that is: the good life. The good life, full of fun and indulgence. Get the most out of your life. We also say here: you only live once. When we speak of la dolce vita we often talk about the good life you find in Italy.
La dolce vita, meaning 'the sweet life' in Italian, refers to a lifestyle characterized by indulgence in pleasure, luxury, and a carefree existence. This concept is most famously captured in Federico Fellini's iconic film of the same name, which critiques the hedonistic lifestyle of post-war Italian society, illustrating the contrast between superficial glamour and deeper existential concerns.
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This was written and directed by Federico Fellini and starred Marcello Mastroianni, Anita Ekberg and Anouk Aimée. La dolce vita translates from the Italian as ‘the sweet life’ and this was used as one of the advertising taglines for the film. Of course, this phrase would have been commonplace in Italian-speaking countries prior to 1960 but ...
