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The Burial of the Dead. April is the cruellest month The Waste Land begins with a subversion of the first lines of the General Prologue of The Canterbury Tales, by Geoffrey Chaucer. He paints April as a month of restorative power, when spring rain brings nature back to life: “Whan that Aprille with his shoures soote / The droghte of March ...
- Undead Eliot: How “The Waste Land” Sounds Now
The Waste Land was published in 1922, but by the forties,...
- T. S. Eliot
He called on Pound September 22, 1914, and Pound immediately...
- The Imaginative Man
In 1926, at the height of modernism’s golden age, a young...
- Cousin Nancy
Miss Nancy Ellicott Strode across the hills and broke them,...
- Aunt Helen
Miss Helen Slingsby was my maiden aunt, And lived in a small...
- The Canterbury Tales
Whan that Aprille with his shour e s soot e , The droghte of...
- The Boston Evening Transcript
The readers of the Boston Evening Transcript Sway in the...
- Undead Eliot: How “The Waste Land” Sounds Now
Oct 24, 2022 · A poet who grew up in a Muslim household in Kashmir and wrote his dissertation on Eliot, Agha Shahid Ali also draws on the self-referentiality, juxtapositions, syncretism, and what he calls the “sense of loss and desolation” in The Waste Land, akin to the melancholy of Urdu poetry. A hyphenated Kashmiri-American poet, Ali had a profound sense of displacement that reminds us of Eliot’s ...
- Literary Hub
T. S. Eliot's "The Waste Land" is considered one of the most important poems of the 20th century, as well as a modernist masterpiece. A dramatic monologue that changes speakers, locations, and times throughout, "The Waste Land" draws on a dizzying array of literary, musical, historical, and popular cultural allusions in order to present the terror, futility, and alienation of modern life in ...
- Female
- Poetry Analyst
- I. The Burial of the Dead. April is the cruellest month, breeding. Lilacs out of the dead land, mixing. Memory and desire, stirring. Dull roots with spring rain.
- II. A GAME OF CHESS. The Chair she sat in, like a burnished throne, Glowed on the marble, where the glass. (…) Spread out in fiery points.
- III. THE FIRE SERMON. The river’s tent is broken: the last fingers of leaf. Clutch and sink into the wet bank. The wind. (…) But at my back in a cold blast I hear.
- IV. DEATH BY WATER. Phlebas the Phoenician, a fortnight dead, Forgot the cry of gulls, and the deep seas swell. And the profit and loss.
Mar 29, 2016 · TS Eliot ‘s The Waste Land, which has come to be identified as the representative poem of the Modernist canon, indicates the pervasive sense of disillusionment about the current state of affairs in the modern society, especially post World War Europe, manifesting itself symbolically through the Holy. Grail legend and the fertility legends ...
The Waste Land offers a profound reflection on the barrenness of modern life. In Eliot’s imagining, World War I had irreparably damaged Western civilization, reducing it to a smoking ruin. This damage shattered the cultural and aesthetic inheritances of the Western tradition and effectively halted social and economic development.
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The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important English-language poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line [A] poem first appeared in the United Kingdom in the October issue of Eliot's magazine The Criterion and in the United States in the November ...
