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Aug 24, 2022 · Individual artists are often apprehensive about this system, and rightfully so. While established music conglomerates and Spotify control a large portion of the profits, independent artists are left to sustain the production of their music exclusively through per-stream royalty rates.
Apr 14, 2022 · The main thing that Spotify gives us as a label is a very regular and predictable income across our catalogue which allows us to invest in new music by our current artists as well as new signings. From when a track is released on Spotify, it will generate money every day, unlike the old model where most income was in the first month after release.
- Independent Musicians
- Introduce Policy to Bolster Independent Music
- Sustained Funding For Artists
- Shift Toward A Community-Based, Care-Informed Model
The streaming age has been hard on independent musicians. In 2020, analytics company Alpha Data examined data based on 1.6 million artists who released music to streaming services and found 90 per cent of plays were generated by one per cent of artists. There was a clear drop in most musicians’ income based on live musicbetween the early ‘80s and r...
One inspiration is how some current structures do bolster independent artists. The non-profit campus-community radio sector is regulated to program local and varied music. And, under the Canadian Content Development model, larger-revenue earning stations must allocate some radio revenue towards supporting grant programs from FACTOR(a non-profit org...
As multinational companies dominate the industry, government support through grant money is vital. Some interviewees described how provincial music organizations, like Alberta Music and Manitoba Musichelp artists navigate their careers or find funding. But some barriers were noted. One Indigenous artist (who wished to be anonymous) described how th...
Many interviewees felt the profit-based culture of music increasingly stifled creativity. Many artists highlighted a desire to prioritize creating a community of care and vibrant musical cultures — despite the fact that funding stuctures don’t necessarily value this. Winnipeg singer-songwriter Greg MacPherson, co-owner of indie record label Disinte...
Sep 23, 2022 · Artists have been making their voices heard more loudly on a range of issues around music and tech in recent years, from streaming royalties to social-media pressures. The former is the focus for a new report published by International Artist Organisation (IAO) this month, and unveiled at last week’s by:Larm conference in Norway.
Swift and other artists frame streaming as a horrible thing for musicians and artists, but by doing so, they frame the argument in a way that ignores the enormous monetary potential streaming ...
May 7, 2021 · Last year, 870 artist catalogs generated more than $1 million in payments, nearly twice as many as had done so in 2017, the company reported; Spotify paid out $100,000 or more for 7,800 acts.
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Sep 19, 2020 · The services with the largest numbers of paid subscriptions in Europe and the Americas are, at time of writing, Spotify and Apple Music, and the platform most widely used internationally for streaming music is YouTube’s advertising-supported service, which is especially important among younger consumers (Mulligan, 2018). Amazon is publicising and marketing its streaming services vigorously ...
