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Mar 24, 2021 · Movement-based metaphors (e.g., bouncing and flowing) are also used to shape the musical performance, as they are often used in music lessons to provide a critical link between the music being presented and the emotion felt (Woody, 2002).
- Simon Schaerlaeken, Donald Glowinski, Didier Grandjean
- 2021
Aug 1, 2016 · Based on this combination of theoretical notions and neuroscientific findings, we suggest that one way in which metaphor contributes to human experience of music is by acting as the hinge between language, emotion, and aesthetic response.
- Alessia Pannese, Marc-André Rappaz, Didier Maurice Grandjean
- 2016
The first part of this chapter is given over to a historical and conceptual survey of music and metaphor (moving through a range of disciplines, including the three subdisciplines of music scholarship), organized around some of the topics adumbrated in the discussion of an opening example.
- Lawrence M. Zbikowski
- 2008
Mihailo Antović. Faculty of Philosophy and Center for Cognitive Sciences, University of Niš. This article offers an overview of a research program related to the m etaphorization of music. In a...
Jan 15, 2013 · Peter Kivy’s contour theory provides a promising explanation of the way we describe instrumental music as expressive of emotions. I argue that if, unlike Kivy, we emphasise the metaphorical character of such descriptions, the contour theory, as a strategy for unpacking such metaphors, can be defended convincingly against common objections.
- Severin Schroeder
- 2013
May 31, 2022 · The present chapter has addressed the old question of music and meaning from a new angle: by cross-linking metaphor and blending processes from cognitive linguistics to the problem of intentionality from the philosophy of mind, in the form of a semantic quest for “reference”.
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Professor Ferguson, proposing new theories on how music conveys meaning to its listeners, identifies and discusses the elements of musical expression.
