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Mar 24, 2021 · Movement-based metaphors (e.g., bouncing and flowing) are also used to shape the musical performance, as they are often used in music lessons to provide a critical link between the music being presented and the emotion felt (Woody, 2002).
- Simon Schaerlaeken, Donald Glowinski, Didier Grandjean
- 2021
Aug 1, 2016 · Music experience involves physical, biological, cognitive, and contextual processes. We propose that metaphor acts at key stages along and between these processes. We suggest that metaphor mediates between language, emotion, and aesthetic response. Music is often described in terms of emotion.
- Alessia Pannese, Marc-André Rappaz, Didier Maurice Grandjean
- 2016
The cognitive perspective on metaphor and music was, in some instances, part of a broader perspective on the cognitive capacities that shape humans’ understand-ing of music (Spitzer, 2004; Zbikowski, 1991, 1998, 2002) but was often employed in one of two more restricted ways.
Mar 24, 2021 · In this article, we examined the metaphorical and emotional contents of Western classical music using the answers of 162 participants. We calculated generalized linear mixed-effects models...
The first part of this chapter is given over to a historical and conceptual survey of music and metaphor (moving through a range of disciplines, including the three subdisciplines of music scholarship), organized around some of the topics adumbrated in the discussion of an opening example.
- Lawrence M. Zbikowski
- 2008
Professor Ferguson, proposing new theories on how music conveys meaning to its listeners, identifies and discusses the elements of musical expression.
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May 31, 2022 · The present chapter has addressed the old question of music and meaning from a new angle: by cross-linking metaphor and blending processes from cognitive linguistics to the problem of intentionality from the philosophy of mind, in the form of a semantic quest for “reference”.
