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  1. Jan 1, 2015 · PDF | On Jan 1, 2015, Mihailo Antovic published Metaphor in Music or Metaphor About Music: A Contribution to the Cooperation of Cognitive Linguistics and Cognitive Musicology | Find, read...

    • Mihailo Antovic
  2. The first part of this chapter is given over to a historical and conceptual survey of music and metaphor (moving through a range of disciplines, including the three sub-disciplines of music scholarship), organized around some of the topics adumbrated in the discussion of my opening example.

  3. The metaphors were assessed with the GEMMES (Schaerlaeken et al., 2019) which consists of five subscales: “Flow,” “Force,” “Interior,” “Movement,” and “Wandering.”. The entrainment caused by the music was also assessed with the Musical Entrainment Questionnaire (Labbé & Grandjean, 2014).

  4. The metaphors satisfy the two basic conditions for mixed metaphor: (1) they occur in textual adjacency, i.e. within a single metaphor cluster, and (2) they do not (for the most part) share any imagistic ontology or any direct inferential entailments between them.

    • Michael Kimmel
  5. Sep 26, 2006 · Examples of musical passages from Palestrina, Biber, Bach, Schubert, and Jerome Kern are used to demonstrate how music contributes to meaning construction and thus may serve as a source domain for a multimodal metaphor.

  6. Jan 1, 2010 · The metaphors satisfy the two basic conditions for mixed metaphor: (1) they occur in textual adjacency, i.e. within a single metaphor cluster, and (2) they do not (for the most part) share any imagistic ontology or any direct inferential entailments between them.

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  8. Aug 8, 2018 · Research in cognitive linguistics over the past three decades has contributed much to our understanding of processes of meaning construction, and to the role mappings between different domains play...

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