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What makes music special is its relationship to language. Both music and language, for instance, are unique tothehumanspecies,bothunfoldovertime, both have syntactic properties, and both make use of sound. Indeed, the notion that music is a language is the basis for some of the most prevalent metaphors used to describe music. But music is also ...
classical music using the answers of 162 participants. We calculated generalized linear mixed-effects models, correlations, and multidimensional scaling to connect emotions and metaphors. It resulted in each metaphor being associated with different specific emotions, subjective levels of entrainment, and acoustic and perceptual characteristics.
7. Conclusion and outlook Mixed metaphors are frequent and they seem, in most cases, unproblematic to deal with when they complement each other and enrich the meaning of a text passage. Studying mixed metaphors casts an interesting light on the relation between metaphor and more inclusive and structurally complex discourse units like arguments.
- Michael Kimmel
about metaphor as it is that what it . can. tell us about metaphor is, for the most part, ignored in Spitzer’s book. In what follows I shall first re-view recent work on metaphor done from a cognitive perspective, and then turn to Spitzer’s account of the relationship between metaphor and musical thought.
Full reference: Antović, M. (2014): Metaphor ab out music o r metaphor in music: A contribution to the cooperation of cognitive linguistics and cognitive musicolog y [Metafora o muzici il i
Sep 26, 2006 · to consider relationships between text and music in greater detail. In a con-Music, language, and multimodal metaphor 363 c1uding section I shall return to Wittgenstein's observations about under standing in language and music, and consider what multimodal metaphors can tell us about how we understand language and music. 2.
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Jan 1, 2010 · The metaphors satisfy the two basic conditions for mixed metaphor: (1) they occur in textual adjacency, i.e. within a single metaphor cluster, and (2) they do not (for the most part) share any imagistic ontology or any direct inferential entailments between them. Mixed metaphors like these have traditionally posed a challenge to theorists.
