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Aug 28, 2017 · The role of analogy and metaphor in musical understanding is explored, and crossmodal correspondences (which occur between discrete perceptual processes such as those associated with vision and...
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This essay investigates this claim through a review of recent work on metaphor by cognitive scientists. This work both supports and modifies Cook's original claim. The latter portion of the essay presents examples of two applications of research on metaphor to music theory.
May 31, 2022 · The present paper uses the cognitive-linguistic theories of conceptual metaphor and conceptual blending and the author’s proposal for a “multilevel-grounded semantics” to suggest that the form/content dichotomy in music is in fact a matter of degree.
- antovicm@hu-berlin.de
The focus in this chapter is on work that has contributed directly to discussions about metaphor and music and on theoretical frameworks for understanding how the domain of music correlates with other conceptual domains, including that of language.
- Lawrence M. Zbikowski
- 2008
Jan 1, 1998 · A recent discussion on the smt-list focused on Nicholas Cook's claim in Music, Imagination, and Culture that musical analysis is essentially metaphorical. This essay investigates this claim ...
Aug 1, 2016 · Drawing on musicological, philosophical, and neuroscientific literature, we suggest that metaphor acts at key stages along and between physical, biological, cognitive, and contextual processes, and propose a model of music experience in which metaphor mediates between language, emotion, and aesthetic response. 1.
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Jan 1, 2015 · musicologist uses metaphors in creating almost all constructs of music theory, such as, for instance, “musical genus”, “circle of fifths”, or “anticipation”. T o be sure, t he “genus ...