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Mar 24, 2021 · “The metaphor helps the student attain an emergent multidimensional grasp of the music. . . .The metaphor creates an affective state within which the performer can attempt to match the model” (Davidson & Scripp, 1989, p. 95). Obviously, using metaphors in music lessons is a task in itself as metaphors are culturally and linguistically specific.
- Simon Schaerlaeken, Donald Glowinski, Didier Grandjean
- 2021
His ongoing research focuses on issues relating to improvisation, psychology of music, music health and wellbeing, musical identities and music education. As a saxophonist and composer his work is informed by a view of improvisation as a social, collaborative and uniquely creative process that provides opportunities to develop new ways of working musically.
Jan 30, 2023 · Music as Metaphor – A The rapeutic Approach. 21. the role of music in therapy, the goals that are pursued, and the i nclusive nature of. this type of intervention. “ Using music in clinical ...
Jun 19, 2020 · There are many reasons why the music may not be happening and to understand them we have to look for the metaphor behind the music. In music therapy, the music represents the interpersonal dynamics, or the relationship, between the client and the therapist- and subsequently, it can mirror other relationships the client has outside of the therapy space.
Jan 1, 2009 · This paper will explore the role of metaphor as discussed in the general therapy literature and, specifically, in the music therapy literature and the literature on songwriting within music therapy. Two case examples from clinical work will be provided illustrating the themes anti metaphors of two short songs written during two separate open music therapy groups in a psychiatric rehabilitation ...
Thus, the music that has become a metaphor can resonate with questions that the therapist can use in the health promotion process, the final and central goal of music therapy.
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Jan 1, 2010 · The metaphors satisfy the two basic conditions for mixed metaphor: (1) they occur in textual adjacency, i.e. within a single metaphor cluster, and (2) they do not (for the most part) share any imagistic ontology or any direct inferential entailments between them. Mixed metaphors like these have traditionally posed a challenge to theorists.
