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  1. Jan 1, 2009 · This paper will explore the role of metaphor as discussed in the general therapy literature and, specifically, in the music therapy literature and the literature on songwriting within music therapy. Two case examples from clinical work will be provided illustrating the themes anti metaphors of two short songs written during two separate open music therapy groups in a psychiatric rehabilitation ...

    • Stephanie Thompson
    • 2009
  2. Jan 30, 2023 · Music as Metaphor – A The rapeutic Approach. 21. the role of music in therapy, the goals that are pursued, and the i nclusive nature of. this type of intervention. “ Using music in clinical ...

  3. a particular feature of CBT. Metaphors for difficulties, solutions, the way the mind works and for therapy itself are commonplace and part of the language of CBT (Stott et al. 2010). ‘Black-and-white thinking’, ‘the malevolent parrot on the shoulder’ and ‘mind-reading’ all represent metaphors that help clients learn about their own ...

    • 122KB
    • 13
  4. Jan 20, 2012 · As Stern puts it: “I don't know when you need to or should put any of the things that happen in a non-verbal therapy like music therapy into a cognitive and linguistic mode” (Stern, 2010b, p. 102). In the future we need research that describes music as vitality forms, not the cognitive and linguistic representation of it.

    • Henk Smeijsters
    • 2012
  5. The theory of metaphor as proposed by Aigen is based on the schema theory of Lakoff and Johnson. It explains the connection between musical experience and felt experience by means of its ...

  6. Two theoretical models of music therapy have been developed and discussed in the past decade. The theory of metaphor as proposed by Aigen is based on the schema theory of Lakoff and Johnson. It explains the connection between musical experience and felt experience by means of its interconnection with metaphors that are based on movement experience in space. The theory of analogy as proposed by ...

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  8. Here metaphor theory is demonstrated as an empirically based approach that gives insight into some meaning generation processes. Examples are given from interviews with music therapy clients. Finally some ideas on the development of music therapy theory are presented.

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