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Paul Oliver, probably the world's foremost scholar of the blues, first heard African-American vernacular music during World War II when a friend brought him to listen to black servicemen stationed in England singing work songs they had brought with them from the fields and lumber camps of the Deep South. Oliver was enthralled by the rhythm and drive of the music and the spontaneous ...
- Friendly Wave Hits Asia
Six years after sweeping across Asia, the Korean wave hit...
- Friendly Wave Hits Asia
- Writing The Blues
- The Black Arts Movement and After
- Blues Across The Arts
- Blues Legacies
- Bibliography
If the blues now seem like a central component of the African-American cultural imagination, much of the credit must go to three black writers—a songwriter/autobiographer, a poet, and an anthropologist/novelist—who helped transform blues song and blues culture into popular blues texts. W. C. Handy, Langston Hughes, and Zora Neale Hurstonwere each, ...
Between 1920, when Mamie Smith's recording of "Crazy Blues" became a race-records sensation, and 1961, when Jimmy Reed's "Baby What You Want Me to Do" was a top-ten hit in Chicago, blues music was arguably the black popular music: not just a commodity, but a way of life and a worldview. All that changed in the course of the 1960s, as soul music swe...
African-American literature is, of course, merely one place on the cultural landscape where blues energies have registered their bittersweet lyrical presence. The art world is another: Both fine art and folk or "outsider" art have found ways of translating the cackling audacity, dialectical swing, and down-home grit of the blues into visual terms. ...
Despite frequent advisories to the contrary, blues music—live, recorded, broadcast—remains a significant, if somewhat diminished presence in contemporary African-American culture. This is due in no small part to the unexpected small-market success of two mid-1980s hits: Z. Z. Hill's "Down Home Blues" (1982) and Little Milton's "The Blues Is Alright...
Barlow, William. "Looking Up at Down": The Emergence of Blues Culture. Philadelphia: Temple University Press, 1989. Cone, James H. The Spirituals and the Blues: An Interpretation. New York: Seabury Press, 1972. Reprint, Maryknoll, N.Y.: Orbis, 1991. Edwards, David Honeyboy, as told to Janis Martinson and Michael Robert Frank. The World Don't Owe Me...
Lyric Structure. Perhaps one of the easiest clues to identifying a blues song is the pattern of the lyrics, or words. You’ll often hear 3 lines of rhyming lyrics, typically expressing very strong emotions. The singer sings a line and then repeats it (though it might be sung slightly differently the second time to emphasize the emotion being ...
Jun 1, 2020 · The core argument, suggested by the subtitle, is that the blues as a distinct musical designation and genre emerged not from some rural folk culture but from the commercial entertainment world of African American vaudeville, which took shape in the first decade of the twentieth century through a fusion of music (ragtime, “coon” songs), comedy, and dance.
May 9, 2018 · Contrary to what some people believe, the blues is not "slave music." Although it was cultivated by the descendants of slaves, the blues was the expression of freed African Americans. The Great Migration directly influenced the blues’ many evolutions. As Black people moved from the South to northern cities, the music reflected the new urban terrain in which
Oct 9, 2024 · The blues has a distinct melancholic and somber tone, which is achieved through vocal techniques such as , rhythmic techniques such as , and instrumental techniques such as “choking” to the guitar strings to create a whining voicelike sound. blues, secular folk music created by African Americans in the early 20th century, originally in the ...
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Mar 3, 2024 · The history of the blues is a story about American slavery, resistance, overcoming, and the birth of Western popular music. The catastrophic legacy of American Slavery gave rise to the blues, a musical style born in the African-American communities of the southern United States. The blues evolved over generations to include African musical ...
