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Sep 30, 2024 · The once-overlooked painting depicts a scene in which the Virgin Mary holds the infant Christ, who reaches down to embrace a young St. John the Baptist. For two centuries, it was believed to be a copy of Virgin Mary, Infant Christ, and St. John the Baptist, a c. 1490 painting that is definitively attributed to the Early Italian Renaissance ...
Sep 30, 2024 · The work was long thought to be a 19th-century copy of a Botticelli masterpiece. The painting shows the Virgin Mary with baby Jesus and a young John the Baptist, and was thought to be based on ...
- Francesca Aton
- Childhood
- Early Training and Work
- Mature Period
- Late Period
- The Legacy of Sandro Botticelli
Sandro Botticelli was born Alessandro di Mariano Filipepi. His date of birth is not certain, but his father, who worked as a tanner, submitted tax returns that claimed Botticelli was two years old in 1447 and 13 years old in 1458. Therefore, art historians have assumed that he was born around 1445. Very little is known about the artist's early life...
According to art historian Giorgio Vasari, in his influential book Lives of the Artists, published in 1550, Botticelli entered the workshop of Fra Filippo Lippi (1406-1459) towards the end of the 1450s. Lippi is known for his simple and beautiful paintings, especially of the Madonna and Child. His clarity of line and use of the female figure had a ...
In 1472, Botticelli's position allowed him to join the group of Florentine painters called the Compagnia di San Luca. His early work in this period was produced for churches in Florence, including his Adoration of the Magi(c.1476) for Santa Maria Novella, one of the city's most important religious spaces. The painting contains portraits of Cosimo d...
At some point in the 1490s, Botticelli leased a small country house and farm on the outskirts of Florence with his brother Simone. The artist seems to have led a bachelor life - he certainly never married. In Angelo Poliziano's Detti Piacevoli (1477), he presents an anecdote about an exchange between Botticelli and his patron Tommaso Soderini. When...
Botticelli's influence on the course of art history and popular culture has been significant across the centuries in a way rivaled by few other artists. His legacy begins with the artists he taught directly, such as Filippino Lippi, the son of Filippo Lippi who had trained Botticelli early in life. In an unconventional move, Botticelli finished Fil...
- Italian
- Florence, Italy
A common feature of Botticelli’s tondi is the way in which individual figures react to the format of the painting, seen here in the young Saint John the Baptist on the left and the angel on the right, who bend slightly forward as if to fit within the border. The Virgin Mary’s powerful frontal gaze makes this tondo stand out.
Sep 30, 2024 · A painting long thought to be a 19th-century copy has been attributed to the studio of Botticelli and will be displayed alongside the original at Chambord Castle.
Alessandro di Mariano di Vanni Filipepi (c.1445[ 1 ] – May 17, 1510), better known as Sandro Botticelli (/ ˌbɒtɪˈtʃɛli / BOT-ih-CHEL-ee; Italian: [ˈsandro bottiˈtʃɛlli]) or simply Botticelli, was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was ...
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Sep 25, 2024 · Botticelli’s art from that time shows a use of ochre in the shadowed areas of flesh tones that gives a brown warmth very different from Lippi’s pallor. The forms in his paintings are defined with a line that is at once incisive and flowing, and there is a growing ability to suggest the character and even the mood of the figures by action, pose, and facial expression.
