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Oct 9, 2024 · D.W. Griffith: The Birth of a NationScene from the film The Birth of a Nation (1915), directed by D.W. Griffith. (more) In 1913 Griffith left Biograph and entered into an agreement with Mutual Films for the direction and supervision of motion pictures. From this association, among other films, came The Birth of a Nation.
- Robert M. Henderson
Oct 28, 2024 · History of film - D.W. Griffith, Silent Era, Biograph: There has been a tendency in modern film scholarship to view the narrative form of motion pictures as a development of an overall production system. Although narrative film was and continues to be strongly influenced by a combination of economic, technological, and social factors, it also owes a great deal to the individual artists who ...
Nov 3, 2009 · Griffith’s final film for Biograph, Judith of Bethulia, was an adventure for all involved, since Griffith’s company of actors and technicians (nearly all of whom would follow him when he left Biograph) had never made a film nearly as long or spectacular. Griffith assured Blanche, then seventeen, that her great (but short) co-star Henry B. Walthall would “measure up” as General Holofernes.
Oct 14, 2009 · Henri Matisse said, “My purpose is to render my emotion… I think only of rendering my emotion.” Film history textbooks dutifully catalog the elements of cinematic grammar and expressiveness that D. W. Griffith invented or refined in his five years at Biograph (in collaboration with his cinematographer G. W. “Billy” Bitzer [1872–1944], who worked at the Museum Film Library late in ...
Oct 9, 2024 · During his Biograph period D.W. Griffith introduced or refined the techniques of motion-picture exposition, including the close-up, a film shot in which a single object or face filled the screen; the scenic long shot, showing an entire panoramic view; and cross-cutting, a technique of editing scenes at various locations together and intermixing them to give the impression to the viewer that ...
- Robert M. Henderson
Oct 28, 2011 · As one critic says of him, “He was an explorer, and he was lost.” Griffith became a famous filmmaker before anyone knew his name. As the anonymous director for the American Mutoscope and Biograph Company (later called the Biograph Company), he made over 450 one- and two-reelers in five years and won both critical and popular acclaim.
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Nov 13, 2011 · But what role did Griffith ultimately play in the American film industry's adoption of a storytelling approach that brought together the resources of performance and decor, framing and composition, and, most crucially, editing, in producing thousands of one-reel narratives for a growing audience of moviegoers in the post-nickelodeon marketplace?