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  1. Oct 30, 2020 · The fascination with the occult determined this period of horror films and created, according to some critics, the best period of horror ever. Two incredible films that arguably defined horror for the rest of time came out of this period: The Exorcist (1973) and The Omen (1976). These films incited a rediscovered obsession with supernatural ...

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  2. For decades, the genre of horror has both fascinated and terrified audiences. Ranging from high-budget films to smaller indies, the themes that have been popular with horror fans have ebbed and ...

  3. Jul 9, 2010 · July 9, 2010. By. Chris Eggertsen. In Bloody-Disgusting’s second entry in our “100 Years in Horror” series, we take a look back at the horror films that grew out of some of the most pivotal ...

  4. Jun 10, 2020 · Horror movies have been around since the 19th century, at the dawn of cinema. It’s an understatement to say that a lot has changed between then and now: 21st-century horror movies are vastly more complex than their simplistic, silent predecessors of more than 120 years ago. The technologies, content, and artistry employed in producing today ...

  5. The history of horror films was described by author Siegbert Solomon Prawer as difficult to read as a linear historical path, with the genre changing throughout the decades, based on the state of cinema, audience tastes and contemporary world events. Films prior to the 1930s, such as early German expressionist cinema and trick films, have been ...

  6. Apr 29, 2019 · Building upon the success of "The Hunchback of Notre Dame" and "The Phantom of the Opera," Universal Studios entered a Golden Age of monster movies in the '30s, releasing a string of hit horror movies beginning with "Dracula and Frankenstein" in 1931 and including the controversial "Freaks" and a Spanish version of "Dracula" that is often thought to be superior to the English-language version.

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  8. Jan 16, 2020 · Nitpicking the iotas that make a film horror, thriller or even “gynaecological gothic” may be much of a muchness, but the ousting of horror does a disservice to its massive cultural impact.

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