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The patterns surround the "Project X Paris" logo on the chest, but it remains quite sober and minimalist, which makes the pieces subtle and rather classy, like the crewneck sweatshirt with printed logo and splashes, in its white or beige color.
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In the Brentiny Paris online ready-to-wear store, prices are at their lowest for your favorite Project X parkas with their ultra-trendy, fleshed-out furs. The Project X parka comes in camo prints, trendy colors and short or long coats. Men's Project X military peacoat in sizes up to XXL.
- Abstractions
- Distractions
- Adjustment Latitude
- An Uncanny Valley
- Composition
- Too Pretty
- Creative Constraint
- Everything Should Matter
- Consistency
- Timeless
A greyscale image is a bit surreal, and a tacit reminder that all photography is surreal: it’s alwaysa creative invention. It’s more obvious when pictures are B&W and less so when they’re in color. We tend to think of color pictures as a kind of objective reality. They’re not.
Color can be distracting from what’s going on. The eye is attracted to color. So if the color is part of the subject, great. But frequently it’s not, it visually complicates a scene. Clutter. More little things for your eye to get pulled to, whether you want that or not. Color can be easily overwhelming, like adding salt to a dish you’re preparing....
Post-production in color is generally trying to make a still image look like what you saw with your eye. So if something is blue, you try to make it reallyblue. But it’s still always blue. But in B&W you have more ability to adjust how the things in the frame look, how strong they are, how much attention they draw. Blue could end up dark grey or li...
It’s impossible to reproduce colors in print to match the experience of seeing something in real life. Prints are never as bright and magical as seeing with your eyes. Color slides were some improvement, with light shining through a transparency, but still imperfect (and not a viable distribution method). And digital screens, while they can be bett...
B&W forces me to focus on structure and composition. Ideally, I’d do this in color too, but sometimes I don’t. It’s easy to get lulled into making bad photos that’s only merit is the color. Shifting a photo into B&W gives us a moment to assess composition and story without the colorful distraction, to see if it “really works.”
Color images are often pleasing because they’re “pretty” — which is nice at first but generally gets dull over time. I’m reminded of Susan Sontag’s essay that suggested that a beautiful photograph is not just a picture of a beautiful thing. Many amateurs push this by over-saturating colors to make everything… prettier. Dripping with beauty. Instagr...
Working in B&W is a forced constraint. It’s not better or worse than color, it’s just an arbitrary limitation I put on myself when I make photographs, and it’s fun to work with constraints. It’s a little harder to produce a likable image, and that’s the point. Constraints catalyze creativity: it forces you to be inventive. If you’re already good, i...
A popular photographer once told me that everything in the frame should matter and should be consciously present, and that goes for the color too. If there’s going to be color in the image, it should be importantto what the image is saying, and not just documenting the scene. Certainly, the photographer gets to decide whether the color is important...
Consistency creates a more cohesive body of work. Even if you’re not an artist trying to create a professional portfolio the pictures you take still constitute your “work,” and over years you may want to display them together in photo walls or in books. Color images can look nice together, but the natural ranges of color light and temperature make ...
Greyscale images feel timeless, and photos are simultaneously dated and undated because of this process. New things feel classical; old things feel contemporary. (It’s sort of the opposite of nostalgic — the images are not presenting that old-timey feeling, they’re actually removed from time.)
Jul 23, 2015 · An updated version of the photographs Wim Wenders made while scouting locations for his influential 1984 film Paris, Texas, includes previously unpublished images.
Why choose Project X Paris to buy your future coat? Choosing Project X Paris for a winter coat means choosing to wear clothes created by French designers who adapt to current trends. Indeed, Project X Paris specializes in streetwear, and that's why we offer puffer jacket and parka models for winter that correspond to people looking for ...
People also ask
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