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  1. Jazz Origins. The history of jazz music is deeply linked to and embedded with the history of New Orleans. As ragtime and the blues began to circulate, New Orleans incubated music that would come to be called jazz, and the unique social construction of the city provided a cadre of musicians as well as an audience to support and sustain a particular form of musical expression.

  2. Feb 24, 2017 · The word “blues” already existed in popular song distribution for sad songs and love songs, so many song titles had “blues” in them long before blues music saw print. To provide an idea of what this early blues sounded like, here is Hattie Ellis singing her own composition, “ Desert Blues ,” in a field recording by John and Ruby Lomax made in Texas in 1939.

  3. Early blues music was very slow and emotional using simple harmonies with a vocalist accompanied by a guitar. Bessie Smith and Robert Johnson made the blues style very popular in the 1920s.

  4. Mar 8, 2024 · The blues emerged in the late nineteenth century and paved the way for the emergence of jazz in the early twentieth century. First came the blues and then came jazz. The origins of the blues can be traced to the human catastrophe of American slavery in the Mississippi Delta. Though jazz took shape amidst the vibrant cultural climate of early ...

  5. Jan 22, 2024 · The blues influenced jazz in various ways, shaping its harmonies, melodies, improvisation, and rhythm. The blues’ impact on jazz harmonies can be heard in the use of extended and altered chords, while its melodic influence is evident in the incorporation of bending and sliding notes and the use of blue notes.

  6. Nov 10, 2024 · blues, secular folk music created by African Americans in the early 20th century, originally in the South. The simple but expressive forms of the blues became by the 1960s one of the most important influences on the development of popular music —namely, jazz, rhythm and blues, rock, and country music —throughout the United States. Form.

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  8. The blues inside the music—the self-styling, the low furor, the professions of pride and desire—was given a narrower berth. In the 1950s, many jazz musicians migrated away from dance music and into the small combos of bebop. The blues’ core truths stayed lodged inside of it, but they were often relegated to instrumental expression.

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