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Work Like a Woman is an interesting read for both, men and women who are working or aspire to work. The construction of the book is well netted, and explicitly endorses the integration of heart and brain at the workplace. To encourage a healthy working environment, it is pivotal to be comfortable with emotions, instead of shying away and ...
More expansive and building on poetry which had emerged during the intervening years, The New Poetry presented work by fifty-five poets (seventeen women, including Clarke, Duffy, Lochhead and Meehan, and thirty-eight men) arranged in order of age, with the oldest, Pauline Stainer, leading off and Simon Armitage, born in 1963, the youngest bringing up the rear.
Context – Remains was written by Simon Armitage, and was published in The Not Dead in 2008. Line-by-Line Analysis Simon Armitage – Simon Armitage (born 1963) is an English poet, playwright, and novelist. He is the current Professor of Poetry at the University of Leeds, and also a Fellow of the Royal Society of Literature.
Mar 29, 2024 · Work like a woman - Mary Portas. What’s in it. It's time for a mini-revolution. That's effectively what Mary Portas is telling us in her book. Because if anyone thinks that gender equality in the workplace has been achieved then think again! I don’t have to tell you that women encounter barriers in the workplace.
Structure. Armitage uses enjambment and caesura to add to the conversational style of the poem, but also to fragment it. This sense of confusion is further emphasised by the fact that the poem starts with the connective “another”, as if the reader is entering part way through a longer story-telling.
The contemporary British poet Simon Armitage allowed his poem ‘Chainsaw versus the Pampas Grass’ to be published online on the Oxford Today site, so we hope he wouldn’t mind our offering a few words about this poem, by way of tentative analysis. Armitage, who was born in Yorkshire in 1963, became the University of Oxford’s new Professor of Poetry in October 2015.
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Dramatic Monologue Armitage writes “Remains” as a dramatic monologue and in the present tense, using present participles such as “legs it”, “tosses” and “are”. This gives it a sense of being an account from memory in a flashback. It’s important to note that flashbacks are a symptom of PTSD.
