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  1. Yair and I primarily talk about his score for the new Netflix crime thriller Reptile, fo...more. I've been familiar with Yair Elazar Glotman ever since I heard his score for Last and First...

    • 30 min
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    • The Film Scorer
  2. Yair Elazar Glotman (born 1987) is a composer and musician based in Berlin. He releases his own music and composes film scores, [1] most recently Netflix 's "Reptile" , A24 's "False Positive" (co-composed with Lucy Railton) and Johann Johannsson ’s film Last and First Men [2] (co-composed with Jóhann Jóhannsson). [3]

  3. www.discogs.com › artist › 3764331-Yair-Elazar-GlotmanYair Elazar Glotman - Discogs

    Yair Elazar Glotman is a musician and sound artist living and working in Berlin. His focus is on experimental electroacoustic composition, sound installations and sound sculptures. In addition, he works as a sound designer and composer for film, dance and video art.

  4. Yair Elazar Glotman is a composer and a musician based in Berlin who trained in classical music as an orchestral contrabass player and in electroacoustic composition. His current focus is mostly in film composition, where he has collaborated on two Oscar-winning soundtracks ( Joker and All Quiet on the Western Front ).

  5. Creative composer Yair Elazar Glotmans musical travels have taken him through a rich array of styles, all ablaze with wild creativity and eclecticism. You can hear it in his experiments with the classical double bass to electrifying soundtracks with the late Jóhann Jóhannsson on films such as Mandy and Last and First Men .

  6. Yair Elazar Glotman is a Berlin based composer and experimental sound artist. Having trained in classical double bass and electroacoustic composition, he uses these traditions in combination with improvisation, with particular focus on analogue processes, to create textural and spatial works.

  7. Yair Elazar Glotman trained in both classical music as an orchestral contrabass player and in electroacoustic composition. His current practice is informed by both traditions, and employs a range of improvisation, extended contrabass techniques, and a special interest in textural and spatial compositions and combining analogue and digital ...

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