Search results
Ben-Hur [Rhino/WEA] by Miklós Rózsa released in 1996. Find album reviews, track lists, credits, awards and more at AllMusic.
- (2)
Miklós Rózsa ( Hungarian: [ˈmikloːʃ ˈroːʒɒ]; April 18, 1907 – July 27, 1995) [1] was a Hungarian-American composer trained in Germany (1925–1931) and active in France (1931–1935), the United Kingdom (1935–1940), and the United States (1940–1995), with extensive sojourns in Italy from 1953 onward. [2] Best known for his nearly ...
Nov 22, 2019 · William Wyler’s crowning glory is now over 60 years old. The appetite for these religiously-fuelled odysseys doesn’t quite exist anymore, at least in European and American markets. Yet one aspect of Ben-Hur cannot be overlooked – Miklós Rózsa’s sensational score has aged spectacularly well. Still the longest score ever composed for a ...
Aug 15, 2023 · Vinyl rip of Miklós Rózsa's score for the seminal 1959 biblical/sword and sandal epic, staring Charlton Heston, Stephen Boyd, Haya Harareet and Jack Hawkins....
- 40 min
- 70.9K
- Asphalt Memories
Dec 1, 2001 · 1959: The complete musical soundtrack to Ben-Hur, conducted by Rózsa, is now available on compact disc (WEA/Rhino R2 72197, two CD’s). 1979: Rózsa’s last major work for orchestra was the intense, dark-colored Viola Concerto, composed for Pinchas Zukerman and recorded by Paul Silverthorne, James Sedares, and the New Zealand Symphony (Koch 3-7304-2H1).
Miklós Rózsa. Music Department: Ben-Hur. A child prodigy, Miklos Rózsa learned to play the violin at the age of five and read music before he was able to read words. In 1926, he began studying at the Leipzig Conservatory where he was considered a brilliant student. He obtained his doctorate in music in 1930.
People also ask
Where did Miklós Rózsa live?
Does Miklós Rózsa have a CD?
Who composed Rózsa's music?
When did Rózsa become a musician?
Oct 3, 2017 · Running time: 157 minutes. After completely listening through Miklós Rózsa’s masterful score for Ben-Hur, finding the words with which to adequately describe and praise such music can be a stunningly difficult task. Indeed, by comparison all manner of critical prose seems utterly banal no matter the recording: be it the original in the film ...
