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  1. Catherine Keener is an American actress, Oscar-nominated for her roles in the independent films Being John Malkovich (1999) and Capote (2005). Acclaimed in her community for her quirky roles in independent film and mainstream such as The 40-Year-Old Virgin (2005) , Keener got her start as a casting director in New York City.

  2. Catherine Ann Keener (born March 26, 1959) is an American actress. She has portrayed disgruntled and melancholic yet sympathetic women in independent films, as well as supporting roles in studio films.

  3. Actress: Being John Malkovich. Catherine Keener is an American actress, Oscar-nominated for her roles in the independent films Being John Malkovich (1999) and Capote (2005).

  4. Aug 18, 2024 · From The 40-Year-Old Virgin to Get Out, these are Catherine Keener's best movies.

  5. Dec 14, 2023 · From Please Give to Synecdoche, New York, these are Catherine Keener's best movies, according to Letterboxd.

  6. 1 day ago · His lawyer Marynne Stewart (Catherine Keener) wants to show the world that Fleck is a very troubled man. Childhood abuse and society’s inability to understand Fleck has given him an alter ego ...

  7. Catherine Ann Keener (born March 23, 1959) is an American actress. Considered one of the independent film industry's most reliable performers, Keener is known for portraying disgruntled and melancholic yet sympathetic women in independent films, as well as supporting roles in studio films.

  8. 15 hours ago · Arthur’s highly anticipated trial is about to start and with the state going for the death penalty, his lawyer (Catherine Keener) wants to mount an insanity defense and argue that it was a Joker ...

  9. Catherine Ann Keener (born March 26, 1959) is an American actress. She has portrayed disgruntled and melancholic yet sympathetic women in independent films, as well as supporting roles in studio films.

  10. Catherine Ann Keener is an American actress. Considered one of the independent film industry's most reliable performers, Keener is known for portraying disgruntled and melancholic yet sympathetic women in independent films, as well as supporting roles in studio films.

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