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People also ask
How did Rembrandt become an artist?
Who was Rembrandt van Rijn?
Why did Rembrandt go to Italy?
How many masters did Rembrandt have?
What type of art did Rembrandt paint?
What is Rembrandt best known for?
Oct 5, 2024 · Rembrandt’s first master was the Leiden painter Jacob van Swanenburgh (1571–1638), with whom, according to Orlers, he remained for about three years. Van Swanenburgh must have taught him the basic skills and imparted the knowledge necessary for the profession.
After a brief but important apprenticeship of six months with the history painter Pieter Lastman in Amsterdam, Rembrandt stayed a few months with Jacob Pynas in 1625, though Simon van Leeuwen claimed that Rembrandt was taught by Joris van Schooten and then started his own workshop.
Apr 2, 2014 · From 1620 to either 1624 or 1625, Rembrandt trained as an artist under two masters. His first was painter Jacob van Swanenburgh (1571–1638), with whom he studied for about three years.
A prolific painter, draftsman, and etcher, Rembrandt van Rijn is usually regarded as the greatest artist of Holland’s “Golden Age.” He worked first in his native Leiden and, from 1632 onward, in Amsterdam, where he had studied briefly (ca. 1624) with the influential history painter Pieter Lastman.
After returning to Leiden, Rembrandt quickly developed a reputation as a history painter and portraitist. By 1628, his work, and that of his colleague in Leiden, Jan Lievens (1609-1674), was enthusiastically praised by the secretary to the Prince of Orange, Constantijn Huygens (1596-1674).
Rembrandt quickly began to make a name for himself as a painter of historical subjects. Unusually, Rembrandt did not follow the advice that was given to young painters, namely to travel to Italy to study Italian art first hand.
A decade before Rembrandt produced his masterpiece The Night Watch, he was a newly established portrait painter in the Dutch Republic. His first major commission in Amsterdam was a striking painting of a doctor performing a public dissection before a group of fascinated spectators.
