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Not a police story
- 'Unda' delivers a poignant message on that count. After 'Anuraga Karikkin Vellam', Khalid Rahman has again attempted to construct the plot around a cop. And like it, 'Unda' is not a police story as such.
www.onmanorama.com/entertainment/movie-reviews/2019/06/14/mammootty-unda-khalid-rahman-malayalam-movie-review-and-updates.html
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The story is based on a real incident that occurred at the time of the 2014 Lok Sabha election, when a police unit from Kerala was sent to a Maoist affected area of Chhattisgarh as part of election duty. Sajith Purushan was the film's cinematographer, and its soundtrack and score were composed by Prashant Pillai.
Jun 14, 2019 · But, with a twist. Sub-Inspector Manikandan C.P. (Mammootty) heads a team of eight Kerala Police officers on election duty at a remote village in Maoist-prone Bastar, Chhattisgarh. They 'attack' at night and Manikandan fails miserably to defend himself or the team. The respect is lost.
Jun 22, 2019 · Unda Movie Review: Starring A Superbly Understated Mammootty, The Film Is Much Bigger Than A ‘Cop Film’. Slowly, it becomes apparent that this is as much a movie about alienation. Men from the greenest state in India are transplanted to the Red Corridor. Director: Khalid Rahman.
Unda: Directed by Khalid Rahman. With Mammootty, Asif Ali, Shine Tom Chacko, Dileesh Pothan. The film narrates the events that occur when a unit of policemen from Kerala reach the Naxalite prone areas in North India for election duty.
- (4.7K)
- Action, Comedy, Thriller
- Khalid Rahman
- 2019-06-21
Jun 14, 2019 · Unda is a bold and daring act of expression that draws parallels between the violence perpetrated by gun-wielding Maoists and power-wielding corrupt politicians.
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Jun 14, 2019 · This policeman, old, weary and kind, is the unlikely hero of Khalid Rahman’s sophomore film Unda, an interesting human drama set in India’s red corridor. Mani is the head of a sub-group of policemen from Kerala who are sent on election duty to Chhattisgarh.
Jun 14, 2019 · Director: Khalid Rahman. When the protagonist of a mainstream film plays a police officer, their story has for long been the ideal of manhood, defining masculinity characterised by physical strength, domination, suppression of emotion and in the case of Malayalam cinema, big thick moustaches.
