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      • No, ‘American Graffiti’ is not a true story. The film is an original production and was written by George Lucas, Gloria Katz, and Willard Huyck. It is, however, semi-biographical in nature in the sense that the four main characters were inspired by Lucas himself in various stages of his life.
      thecinemaholic.com/is-american-graffiti-based-on-a-true-story/
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  2. More American Graffiti is a 1979 American coming-of-age comedy film written and directed by Bill L. Norton, produced by Howard Kazanjian. The film, shot in multiple aspect ratios for comedic and dramatic emphasis, is the sequel to the 1973 film American Graffiti.

  3. Apr 27, 2023 · No, ‘American Graffiti’ is not a true story. The film is an original production and was written by George Lucas, Gloria Katz, and Willard Huyck. It is, however, semi-biographical in nature in the sense that the four main characters were inspired by Lucas himself in various stages of his life.

  4. Jul 30, 2023 · While American Graffiti has received plenty of attention over the years, here are 30 things about the beloved film that you might not know. 1. When Terry the “Toad” (Charles Martin Smith) loses...

  5. Sep 19, 2024 · Is American Graffiti based on a true story? No, American Graffiti is not based on a true story. However, it draws inspiration from writer and director George Lucas’ own experiences growing up in the 1960s.

    • George Lucas Made The Movie Partially Out of spite.
    • It Was Saved from Becoming A TV Movie by The Godfather.
    • The Studio Wanted to Change The Title.
    • Lucas's Co-Writers Didn't Like The Ending.
    • Wolfman Jack Was A Holdover from A Previous Movie Idea Lucas had.
    • In The Original Conception, The Blonde Wasn't Real.
    • The Producer Had to Become Mackenzie Phillips's Legal Guardian For The Shoot.
    • The Production Was Kicked Out of Town After One Day of Shooting.
    • The Soundtrack Album Sold 3 Million copies.
    • There's A Reason Elvis Presley Is Conspicuously Absent from The Soundtrack.

    The young director's previous film and first feature, the futuristic sci-fi drama THX-1138, had been a disappointment both critically and commercially. Lucas' wife, Marcia—as well as friend Francis Ford Coppola—urged him to make something more relatable. "Don't be so weird," Lucas recalled Coppola telling him. "Try to do something that's human ... ...

    Universal Pictures gave Lucas a budget of $600,000, or about $3.5 million in 2016 dollars, to make the movie—in other words, not very much. When Coppola came onboard as a producer shortly after the release of The Godfather, Universal gave Lucas another $175,000. Later, when the film was finished and had test-screened positively, Universal inexplica...

    Universal executives didn't know what American Graffiti meant as a title (they weren't alone), and begged Lucas to change it. They furnished a list of 60 alternates, including Rock Around the Block (Coppola's suggestion) and Another Slow Night in Modesto (which was close to Lucas' original working title, Another Quiet Night in Modesto). Lucas would...

    The film ends with title cards revealing what happened to the main characters (the male ones, anyway) afterward, much of which isn't happy. The co-writers Lucas hired early on to help him develop the script, Willard Huyck and Gloria Katz, found it depressing and strange and tried to talk Lucas out of it but never succeeded. (Stubbornness is a recur...

    The radio DJ with the distinctive voice was part of Lucas' teenage years in Modesto, California, and Lucas even considered making a documentary about him when he was a student at USC's film school. When American Graffiti made him a millionaire, Lucas paid the Wolfman a little extra for serving as the film's "inspiration."

    Curt (played by Richard Dreyfuss) spends most of the film chasing a beautiful, mysterious blonde (played by Suzanne Somers) he sees driving a Ford Thunderbird. Lucas originally intended to shoot a scene where the blonde and the car were briefly transparent, revealing to the audience that she was a figment of Curt's imagination. This was one of the ...

    Mackenzie Phillips was just 12 years old when she arrived to make the film, and though she had showbiz experience (her father, John Phillips, was in The Mamas & the Papas), neither she nor her parents realized that California law required her to have a guardian present. "They were almost going to have to recast me, but Gary Kurtz"—a producer on the...

    Lucas and company planned to shoot the film in San Rafael, California, as the real setting—Modesto—had changed too much since 1962. But after just one day in San Rafael, the city council gave them the boot. Not only had a member of the crew been arrested for growing marijuana, but the first night of filming and its accompanying street closures had ...

    The concept of filling an entire soundtrack with nothing but preexisting popular songs (rather than an instrumental score) was still new, with Easy Rider(1969) having been the first major example. The American Graffiti double album included 41 of the 43 songs heard in the movie, arranged in the order they appear, missing only "Gee" by The Crows and...

    The reason, of course, is money. To mitigate the cost of licensing so many songs, Universal offered a flat rate to all of the labels involved. Everyone went along with it except for RCA, which meant no Elvis. The kids in American Graffiti are therefore probably the only teenagers in America who could listen to the radio all night in 1962 and never ...

  6. American Graffiti is a 1973 American coming-of-age comedy-drama film directed by George Lucas, produced by Francis Ford Coppola, written by Willard Huyck, Gloria Katz and Lucas, and starring Richard Dreyfuss, Ron Howard, Paul Le Mat, Harrison Ford, Charles Martin Smith, Cindy Williams, Candy Clark, Mackenzie Phillips, Bo Hopkins, and Wolfman Jack.

  7. Jul 10, 2020 · American Graffiti is newly available on HBO’s streaming services this month, so we figured it was worth another pass down the main drag. Here are some lesser-known facts to know about it, in case you settle in for a rewatch or a first watch — it’s highly recommended if you haven’t seen it before.

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