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      • Indeed, only one of von Trier's subsequent movies (1998's The Idiots) received the Dogme stamp of approval. But with Dogville, an anti-American fable/diatribe released on video this week, von Trier has scrapped virtually every element of the creed he helped establish.
      www.theatlantic.com/entertainment/archive/2004/08/the-movie-review-dogville/69537/
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  2. en.wikipedia.org › wiki › DogvilleDogville - Wikipedia

    Dogville is a 2003 avant-garde thriller [8][9] film written and directed by Lars von Trier, and starring an ensemble cast led by Nicole Kidman, Lauren Bacall, Paul Bettany, Chloë Sevigny, Stellan Skarsgård, Udo Kier, Ben Gazzara, Patricia Clarkson, Harriet Andersson, and James Caan with John Hurt narrating.

  3. Sep 19, 2024 · Discover 36 captivating facts about the critically acclaimed movie Dogville, exploring its powerful narrative, stellar cast, and thought-provoking themes.

  4. May 21, 2023 · The Lars von Trier film starring Nicole Kidman was polarizing, to say the least, when it premiered. Two decades later, it’s clear it may have changed Cannes—and movies—forever.

    • Chris Feil
  5. Dogville: Directed by Lars von Trier. With Nicole Kidman, Harriet Andersson, Lauren Bacall, Jean-Marc Barr. A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town she finds out that their support has a price.

    • (160K)
    • Crime, Drama
    • Lars von Trier
    • 2004-04-23
  6. Crime. 178 minutes ‧ R ‧ 2004. Roger Ebert. April 9, 2004. 5 min read. Lars von Trier exhibits the imagination of an artist and the pedantry of a crank in “Dogville,” a film that works as a demonstration of how a good idea can go wrong.

  7. Aug 24, 2004 · Indeed, only one of von Trier's subsequent movies (1998's The Idiots) received the Dogme stamp of approval. But with Dogville, an anti-American fable/diatribe released on video this...

  8. Among the most influential filmmakers of the past decade, Danish director Lars von Trier became a cinematic Martin Luther in 1995, the year of the medium’s centenary, when he issued a radical denunciation of film’s bad faith and decadence.

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