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  1. Marina Abramović ( Serbian Cyrillic: Марина Абрамовић, pronounced [marǐːna abrǎːmoʋitɕ]; born November 30, 1946) is a Serbian conceptual and performance artist. Her work explores body art, endurance art, the relationship between the performer and audience, the limits of the body, and the possibilities of the mind. [1] .

    • November 30, 1946
    • LIGHT/DARK Marina Abramović 1977.
    • Balkan Erotic Epic Marina Abramović 2005.
    • Rest Energy Marina Abramović 1980.
    • AAA-AAA Marina Abramović 1978.
  2. Jun 25, 2024 · Marina Abramovic, Yugoslav-born performance artist known for works that tested the endurance and limitations of her body and mind. Her notable projects include Balkan Baroque (1997), The House with the Ocean View (2002), and The Artist Is Present (2010).

    • Rhythm 0, 1974. Arguably the most important performance of her career, Rhythm 0 gave Abramović celebrity status in the art world. The performance took place in Naples in 1994.
    • Rhythm 5, 1974. One of the first profound performances of Abramović’s career, Rhythm 5 explores the physical and mental limits of the human body. The artist risked her own life for her art in an extreme performance where she almost suffocated.
    • Rest Energy, 1980. Abramović met Ulay (Frank Uwe Laysiepen) in Amsterdam in 1975, and the legendary couple lived together for 12 years. They made pioneering work as a duo, where they explored their love for one another and the division between mind and body.
    • The Lovers, 1988. Abramović and Ulay’s relationship deteriorated, and in 1988—after several years of conflict—they marked the end of their relationship with a spiritual journey by walking across the Great Wall of China.
  3. Marina Abramović (Serbian Cyrillic: Марина Абрамовић, pronounced [marǐːna abrǎːmoʋitɕ]; born November 30, 1946) is a Serbian conceptual and performance artist. Her work explores body art, endurance art, the relationship between the performer and audience, the limits of the body, and the possibilities of the mind.

  4. Marina Abramović's work is typical of the ritualistic strain in 1960s performance art. It often involves putting herself in grave danger and performing lengthy, harmful routines that result in her being cut or burnt, or enduring some privation.

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  6. Oct 3, 2023 · Abramović changed culture with her performance art and at 76, is still creating a storm. She talks to Lillian Crawford about breaking taboos, and how some of her work could no longer be...

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