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Philip Johnson was a pioneer of Modernism, a design movement that sought to break away from traditional architectural styles. Characterized by clean lines, open spaces, and a rejection of ornamentation, Modernist architecture embraced functionality and simplicity.
- Philip Johnson: Understanding the philosophy of Philip ...
From ‘pure’ modernism aesthetics and ideals to neoclassicism...
- Philip Johnson: Understanding the philosophy of Philip ...
From ‘pure’ modernism aesthetics and ideals to neoclassicism to postmodernism ideology, Philip Johnson’s works presented his design sensibility in many different lights. The AT&T building was a clear representation of his postmodern leanings.
Among his best-known designs are his modernist Glass House in New Canaan, Connecticut; the postmodern 550 Madison Avenue in New York City, designed for AT&T; 190 South La Salle Street in Chicago; the Sculpture Garden of New York City's Museum of Modern Art; and the Pre-Columbian Pavilion at Dumbarton Oaks.
2 days ago · Philip Johnson, American architect known both for his promotion of the International Style and for helping define postmodernist architecture. His notable buildings included the Glass House, the AT&T Building, and the Seagram Building, the latter of which he designed with his mentor, Ludwig Mies van der Rohe.
- The Editors of Encyclopaedia Britannica
Philip Johnson is most celebrated for his role as the first director of the Architecture Department at The Museum of Modern Art in New York, and for his home in Connecticut, the famous Glass House.
Jun 7, 2024 · Seagram Building. Year: 1958 Location: Manhattan, New York, United States. Designed by Philip Johnson and Ludwig Mies van der Rohe, the Seagram Building is a skyscraper located at 375 Park Avenue in Midtown Manhattan. The 38-story, 515-foot (157-meter) International Style edifice was finished in 1958 and stands in stark contrast to the plaza ...
Dec 12, 2018 · In “The Man in the Glass House,” a new biography of Philip Johnson, we are asked to contemplate why the impresario of twentieth-century architecture descended into a morass of far-right politics.
