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  1. en.wikipedia.org › wiki › Waldo_SaltWaldo Salt - Wikipedia

    Salt was married four times, first to Amber Dana, then to actress Mary Davenport with whom he had two children, actress/writer/producer Jennifer, and Deborah. After his divorce from Davenport, he married Gladys Schwartz and later playwright Eve Merriam.

  2. www.imdb.com › name › nm0759029Waldo Salt - IMDb

    Writer: Midnight Cowboy. Waldo Salt was one of the many people blacklisted in Hollywood during the Red Scare, but unlike others, Salt recovered triumphantly. He wrote his first scripts in the late 1930s (MGM contract writer, 1936-42) and also served as a civilian consultant to the Office of War Information from 1942- 1945 before being ...

    • January 1, 1
    • Chicago, Illinois, USA
    • January 1, 1
    • Los Angeles, California, USA
  3. Waldo Salt. Writer: Midnight Cowboy. Waldo Salt was one of the many people blacklisted in Hollywood during the Red Scare, but unlike others, Salt recovered triumphantly. He wrote his first scripts in the late 1930s (MGM contract writer, 1936-42) and also served as a civilian consultant to the Office of War Information from 1942- 1945 before ...

    • October 18, 1914
    • March 7, 1987
  4. Waldo Salt: A Screenwriter's Journey is a 1990 American documentary film directed by Eugene Corr. It was nominated for an Academy Award for Best Documentary Feature. The film was screened at the 1990 Sundance Film Festival and is a part of the PBS American Masters series of documentary films.

  5. Dec 11, 2006 · He was friends with Nathaniel West and F. Scott Fitzgerald, and worked on films with some of the period’s best known stars, including Robert Mitchum, William Holden, Burt Lancaster, and...

  6. Mar 8, 1987 · Mr. Salt entered Stanford University when he was 14, his wife, Eve Merriam, said, and he graduated in 1934. He then became a junior writer for M-G-M Studios and found early success with his...

  7. Jun 30, 2022 · For Waldo Salt, writing a screenplay wasn’t about crafting a clever or witty piece of dialogue — although he could certainly do that. It was about writing in images, almost like composing poetry. That’s not too surprising, considering he wrote the powerful scripts for Midnight Cowboy (1969) and Coming Home (1978), both of which won him ...

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