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Theodore Melfi is an American filmmaker. His second film, St. Vincent starring Bill Murray, was released in 2014. In 2016, Melfi co-wrote, directed, and produced Hidden Figures with Allison Schroeder, for which he received Oscar nominations for Best Picture and Best Adapted Screenplay. [1] He is of Italian descent. [2]
Theodore Melfi was born in Brooklyn, New York, USA. Theodore is a producer and director, known for Hidden Figures (2016), St. Vincent (2014) and Going in Style (2017). Theodore is married to Kimberly Quinn.
Theodore Melfi was born in Brooklyn, New York, USA. Theodore is a producer and director, known for Hidden Figures (2016), St. Vincent (2014) and Going in Style (2017). Theodore is married to Kimberly Quinn.
Nov 17, 2016 · When Taraji P. Henson, who plays the sprinting space scientist, read the script for Hidden Figures, Theodore Melfi’s drama about the black female mathematicians, engineers and programmers who...
Oct 15, 2014 · Melfi spoke with RogerEbert.com about the surprising true-life inspirations for his characters, the joys of working with Murray, and what this film taught him about the art of comedy.
Writer, producer and filmmaker Ted Melfi began his career helming over 100 commercials before branching out into short films and full-length features, eventually making his mark in...
Hidden Figures: Directed by Theodore Melfi. With Taraji P. Henson, Octavia Spencer, Janelle Monáe, Kevin Costner. Three female African-American mathematicians play a pivotal role in astronaut John Glenn's launch into orbit.
Feb 8, 2017 · Theodore Melfi leaped onto Hollywood’s A-list with the triumph of Hidden Figures, the story of three African-American women who each played a key role in NASA’s space program (a film he chose...
Jan 11, 2017 · Theodore Melfi directed Fox’s “ Hidden Figures,” a fact-based film about three genius black women at NASA in 1961. He says he was “blown away” by his lead actors, Taraji P. Henson, Octavia...
Sep 27, 2021 · Theodore Melfi on re-teaming with Melissa McCarthy and Chris O'Dowd on the dramedy The Starling and why he doesn’t believe in a lot of takes.
