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    • Image courtesy of anz.newonnetflix.info

      anz.newonnetflix.info

      • Smaller children may need a bit of assurance, as Mouse occasionally envisions himself being eaten by the predators he encounters, however, for the most part The Gruffalo is a tremendous film for children of all ages (and already available on DVD in the U.K., but not yet in the states).
      theindependentcritic.com/gruffalo
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  2. Favorite book adaptation promotes brains over brawn. Read Common Sense Media's The Gruffalo review, age rating, and parents guide.

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      A true to the book animation aimed at young children. The...

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  3. The Gruffalo: Directed by Max Lang, Jakob Schuh. With Helena Bonham Carter, Rob Brydon, Robbie Coltrane, James Corden. A cunning mouse goes for a walk in the forest, and outwits a succession of predators.

    • (7.8K)
    • Animation, Family, Fantasy
    • Max Lang, Jakob Schuh
    • 2010-12-09
  4. The Gruffalo, written by Julia Donaldson and illustrated by Axel Scheffler, was published in 1999 and has sold over 5 million copies worldwide. In a BBC Radio 2 poll in 2009, the book was voted as the UK's favourite bedtime story.

  5. A true to the book animation aimed at young children. The rhyming is lovely to listen to, and straight from the book. Very calm and delightful as an animation. I’ve read the book to my daughter since she was a baby and she watched this as a toddler and loved it.

  6. The Gruffalo. A cunning mouse goes for a walk through the forest and has to outwit a succession of predators. Rent The Gruffalo on Fandango at Home, Prime Video, Apple TV, or buy it on Fandango...

    • (70)
    • Kids & Family, Fantasy, Adventure, Animation
    • Max Lang, Jakob Schuh
  7. Excellent. Full Review | Jun 28, 2018. A charming computer animated tale about a little mouse who travels through the woods, rendered beautifully and in rhyme. Full Review | Original Score: 4/5...

  8. The Gruffalo features one of 2010's best short film original scores from Rene Aubry, with excellent camera work by Ulli Hadding and Hubert Markl. This is Jakob Schuh's third directorial effort, while marking the debut of Max Lang.

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