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      • We are left with, in effect, a series of well-acted playlets in which we make, and lose all too rapidly, the acquaintance of the coat's wearers. Full Review | Jun 3, 2021 Elena de la Torre Cine-Mundial An exceptional and magnificent movie; its story and development are very original.
      www.rottentomatoes.com/m/tales_of_manhattan/reviews
  1. Tales of Manhattan is the apotheosis of visual style and true pictorial elegance. Allied of course with the glorious visuals are a feast of absolutely top-drawer performances. Laughton, Boyer, Robinson, Fonda, Gleason, Lanchester and others all display their usual skills to A-1 advantage.

  2. Charming episodic urban comedy drama. Full Review | Original Score: B- | Oct 3, 2008. Rotten Tomatoes, home of the Tomatometer, is the most trusted measurement of quality for Movies & TV. The ...

  3. Tales of Manhattan From the "They Don't Make Em Like This Anymore" school of filmmaking, five different stories are cleverly interlocked with a clever hook and brought to life by an impressive all-star cast in the 1942 epic Tales of Manhattan , which brings five different stories to the screen on the simple hook of a piece of clothing.

  4. An actor (Charles Boyer) embroiled in a dangerous love triangle with a woman (Rita Hayworth) and her suspicious husband (Thomas Mitchell) is the first owner of a tailcoat which is eventually passed down to a variety of individuals in diverse circumstances. Genres, Themes, Actors, and Directors: Cesar Romero Films. Charles Boyer Films.

  5. I think it's a very good movie and one of the best movies of the 80s, and ashamed that it's totally not even heard of by today's audience. This is the kind of movie that should be remade today, sinc...

  6. Tales of Manhattan is a 1942 American anthology film directed by Julien Duvivier. Thirteen writers, including Ben Hecht, Alan Campbell, Ferenc Molnár, Samuel Hoffenstein, and Donald Ogden Stewart, worked on the six stories in this film.

  7. A custom-made tailcoat is cursed and said to bring misfortune to whoever wears it. The original owner, a successful actor (Boyer), is in love with the beautiful Ethel (Hayworth), but she has a distrustful, gun-wielding husband (Mitchell). The tuxedo jacket next passes to a wealthy playboy (Romero) whose fiancee (Rogers) is rightly suspicious of his philandering ways. Subsequent wearers include ...

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