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  1. Unknown Spanish Sequence: Gershwin composed a movement for the finale that went unused after he played it for the director; only exists in short score. The score is over an hour in length, the longest of all of Gershwin's orchestral works.

  2. Aug 12, 2024 · Unknown Spanish Sequence: Gershwin composed a movement for the finale that went unused after he played it for the director; only exists in short score. The score is over an hour in length, the longest of all of Gershwin's orchestral works.

  3. Unknown Spanish Sequence, Gershwin composed a movement for the finale that went unused after he played it for the director, only exists in short score The score is over 1 hour in length, the longest of all of Gershwin's orchestral works.

  4. Winning the 1951 Best Picture Oscar and numerous other awards, the film featured many tunes of Gershwin and concluded with an extensive, elaborate dance sequence built around the symphonic poem An American in Paris (arranged for the film by Johnny Green), which at the time was the most expensive musical number ever filmed, costing $500,000 ($5.87 million in 2023).

  5. George Gershwin (/ ˈɡɜːrʃ.wɪn /; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions Rhapsody in Blue (1924) and An American in Paris (1928), the songs " Swanee " (1919) and ...

  6. Different music than the Rhapsody in Rivets sequence, which later was expanded and rescored into the Second Rhapsody. Other musical sequences went unused that Gershwin created for Delicious, as Fox Film Corporation declined to use the rest of his score. Second Rhapsody, for piano and orchestra, based on the score for a musical sequence from ...

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  8. An American in Paris, composition by George Gershwin, subtitled “A Tone Poem for Orchestra.”. It premiered at Carmegie Hall in New York City on Dec. 13, 1928, and it was the first of Gershwin’s purely orchestral works, with no role for piano but plenty of jazz harmonies and spirit. In 1951 (after.

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