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    • George Lucas Endows Haskell Wexler Chair In ... - Deadline
      • The George Lucas Family Foundation has established the Haskell Wexler Endowed Chair in Documentary at the USC School of Cinematic Arts in honor of the documentarian and two-time Oscar-winning cinematographer.
      deadline.com/2016/09/george-lucas-haskell-wexler-endowed-chair-usc-school-of-cinematic-arts-1201827509/
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  2. In September 2016, George Lucas created the Haskell Wexler Endowed Chair in Documentary at the USC School of Cinematic Arts. The first holder of the Wexler Chair is Michael Renov, Vice Dean of Academic Affairs at SCA and a professor in the Bryan Singer Division of Cinema & Media Studies.

  3. Sep 28, 2016 · The George Lucas Family Foundation has established the Haskell Wexler Endowed Chair in Documentary at the USC School of Cinematic Arts in honor of the documentarian and two-time Oscar-winning...

  4. Dec 28, 2015 · When Almendros and his lead camera operator, John Bailey, had to leave the set to begin work on Francois Truffaut's " The Man Who Loved Women ," he convinced Wexler to step in for him, then spent a week working with Wexler so that his footage would match what was already in the can.

  5. Two-time Academy Award-winning cinematographer Haskell Wexler was adjudged one of the ten most influential cinematographers in movie history, according to an International Cinematographers Guild survey of its membership.

  6. Cinematographer: Medium Cool. Two-time Academy Award-winning cinematographer Haskell Wexler was adjudged one of the ten most influential cinematographers in movie history, according to an International Cinematographers Guild survey of its membership.

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  7. Two-time Academy Award-winning cinematographer Haskell Wexler was adjudged one of the ten most influential cinematographers in movie history, according to an International Cinematographers Guild survey of its membership.

  8. Dec 27, 2015 · ABOUT. • February 6, 1922 – December 27, 2015 •. Haskell Wexler began his feature filmmaking career as a cinematographer in the late 1950s, having previously shot educational and industrial films. The Chicago native had traveled to California to attend Berkeley, but dropped out after one year.