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This audio jukebox presents some of the most renowned singers from Carnatic music. A rare collection that puts veteran vocalists Maharajapuram V Santhanam, M...
- 67 min
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- Music Today
Carnatic music, known as Karnāṭaka saṃgīta or Karnāṭaka saṅgītam in the South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu and portions of east and south Telangana and southern Odisha. It is one of two main subgenres ...
- What Is Carnatic Music?
- Kutcheri: What Happens at A Carnatic Concert?
- A Brief History of Carnatic Music
- Carnatic Vocals
- South Indian Melodic Instruments
- Carnatic Percussion
- Solkattu: Speaking Rhythm
- Basics of Ragam and Talam
- Ragam: Melodic Mood Recipes
- Talam: Rhythm Cycles
The Carnatic tradition is often explained to outsiders in terms of how it differs from Hindustani music, its better-known Northern equivalent. But while the styles share deep stylistic roots, Carnatic music deserves a distinct mode of listening. In this article we sample the sounds and ideas of South Indian classical, and trace its evolution throug...
So if you do go to a Carnatic concert, what can you expect? Known as a kutcheri, a classical performance usually lasts for two to three hours. Attendees may encounter a selection of different sub-genres: • Kritis - elaborate pre-composed songs - are at the heart of Carnatic music. A kriti (‘creation’) traditionally comes in three parts. First is th...
All Indian classical music is spiritual and devotional in origin. In the words of Carnatic musicologist Dr. V Raghavan, “The arts are aids for communion with God or self...they help to sublimate the human emotions by giving them a divine object...[and] in the experience of the beauty and the bliss engendered thereby, they give a glimpse, a taste of...
All India’s main classical traditions see vocal music as the pinnacle of their art, revering its direct, primal essence. But Carnatic’s particular focus on song composition gives the human voice an even greater importance, meaning singers sit squarely atop the musical hierarchy. In many ways the voice is the ‘benchmark’ for all melody, serving as t...
The Saraswati veena is a large Carnatic lute, named after the Hindu goddess of arts and learning. Two large resonator gourds are joined by a hollow neck, and seven strings are suspended over 24 metal frets. The end is decorated with an ornamental dragon’s head (yali), symbolising the presence of Lord Vishnu. The Atharvaveda, a 3,000-year-old collec...
South Indian music is famed for its percussive imagination. There are hundreds of different rhythm cycles to choose from, and dozens of different drums to play them on. Here are those most commonly found on the classical stage: The mridangam, a double-headed drum, usually leads the Carnatic rhythm section. Capable of a vast array of sounds, it anch...
Carnatic percussion also features the use of solkattu, a system of onomatopoeic sounds intended to ease the process of internalising rhythm (the word translates as ‘a bunch of syllables’). The musician claps along with the underlying cycle while ‘speaking’ the drum strokes - such as Ta, Di, Na, and Thom. It is versatile, beautifully concise, and do...
Carnatic music is famed for its theoretical complexity. Even its name is a signal in this direction, thought by some scholars to derive from the term Karnataka Sangeetham, Sanskrit for ‘traditional, codified song’ (although others consider it to be a combination of karna and ata- meaning 'to haunt the ear'). You definitely don’t need to know any th...
The concept of ragam defines how Carnatic musicians approach melodic improvisation. The term roughly translates from Sanskrit as ‘dye, hue, that which colours the mind’, although there is no clear English equivalent. A ragam is an aesthetic concept as well as technical one - while musicians must follow detailed rules as they play, conforming to the...
Carnatic musicians refer to rhythms as talam (‘clap’). They are felt as cycles, endlessly rotating back to a fixed origin point like the hands of a clock. A wide variety of different rhythm cycles are in use, of which the most common is the 8-beat adi tala(Sanskrit for ‘primordial rhythm’): Other popular choices include the 6-beat rupaka tala, the ...
Carnatic music owes its name to the Sanskrit term Karnātaka Sangītam which denotes “traditional” or “codified” music. The corresponding Tamil concept is known as Tamil Isai. These terms are used by scholars upholding the “classical” credentials and establish the “scientific” moorings of traditional music. Besides Sanskrit and ...
Lyrics to thousands of carnatic songs, information about 1000s of ragas, composers, learning music for beginners and experts, jokes, Indian classical instruments, and simple and more advanced theory topics in South Indian classical music.
These three composers are Syama Sastri (1762-1827), Tyagaraja (1767-1847), and Muthuswami Dikshitar (1776-1835). From this time on, composers of Carnatic music have aspired to meet their level of contribution to the art. In the year 1904, 'Sangeeta Sampradaya Pradarsini' was written by Subbarama Dikshithar.
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Sep 23, 2024 · News •. Karnatak music, music of southern India (generally south of the city of Hyderabad in Andhra Pradesh state) that evolved from ancient Hindu traditions and was relatively unaffected by the Arab and Iranian influences that, since the late 12th and early 13th centuries, as a result of the Islamic conquest of the north, have characterized ...
