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  1. Mar 31, 2020 · As yet, it remains a remarkable and unique moment in music and fashion and an exceptional period in the history of Japanese pop music. A complete guide to the work of five Japanese artists who capture the style and best represent the influence of Tokyo's 1990s Shibuya-kei music scene.

  2. en.wikipedia.org › wiki › Shibuya-keiShibuya-kei - Wikipedia

    Shibuya-kei. Shibuya-kei (Japanese: 渋谷系, lit. "Shibuya style") is a microgenre [ 7 ] of pop music [ 1 ] or a general aesthetic [ 8 ] that flourished in Japan in the mid-to-late 1990s. [ 3 ] The music genre is distinguished by a "cut-and-paste" approach that was inspired by the kitsch, fusion, and artifice from certain music styles of the ...

  3. Mar 19, 2022 · It is 1993 and Shibuya is the epicenter of Japanese pop music. Artists like Pizzicato Five, Cornelius, and United Future Organization are part of a new musical movement post-Yellow Magic Orchestra and "City Pop". A movement that will represent the country for the last years of the millennium. This new movement came to be known as Shibuya-kei.

    • How did Shibuya-kei change Japanese pop music?1
    • How did Shibuya-kei change Japanese pop music?2
    • How did Shibuya-kei change Japanese pop music?3
    • How did Shibuya-kei change Japanese pop music?4
    • How did Shibuya-kei change Japanese pop music?5
  4. Dec 24, 2020 · SKIP 🥱LONG INTRO😴? CLICK HERE: 0:52This video gives an overview on the historical context and significance of the musical genre and artistic movement, Shib...

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  5. Shibuya-kei (Japanese: 渋谷系, lit. “Shibuya style”) is a microgenre of pop music or a general aesthetic that flourished in Japan in the mid-to late 1990s. The music genre is distinguished by a “cut-and-paste” approach that was inspired by the kitsch, fusion, and artifice from certain music styles of the past.

  6. Nov 6, 2014 · Like most people with ears, the Japanese love a lithesome melody – particularly the ocean-sprayed sort of which Brian Wilson is a master. But key Shibuya-kei musicians got much more overt about their Beach Boys fandom: Cornelius rewrote BB’s “Little Pad” as “World’s End Humming ~Reprise (In Hawaii)” to close his album 69/96; he named an ostensibly unrelated track on Fantasma ...

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  8. Shibuya-kei -- literally, "Shibuya style" -- was the name given to the like-minded pop musicians who emerged from this consumer culture, a group of young Japanese weaned on a steady and amazingly eclectic diet of Western pop exports; the result was an unprecedented collision of sights and sounds, with trailblazing acts like Pizzicato 5 drawing on disparate influences ranging from the lush ...