Yves Saint Laurent
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Jun 25, 2014 · “Yves Saint Laurent,” the movie, isn’t nearly so innovative or forward thinking. It’s a tasteful and formulaic biopic, visually lush but emotionally shallow.
Following his dismissal from the House of Dior, Yves Saint Laurent (Pierre Niney) -- with his lover and business partner, Pierre Bergé (Guillaume Gallienne) -- builds a formidable fashion empire.
- (71)
- Jalil Lespert
- R
- Pierre Niney
- Leading Men
- Plot
- Realism
- Fashion
- Muses
- Cinematography
- Final Verdict
Playing the role of a real person without coming across like a caricature is certainly challenging, and both actors avoided any heavy-handed impersonation. The lead role (and the acting overall), however, was much better in the unauthorized film. Gaspard Ulliel perfectly balances the designer's femininity — complete with a delicate high-pitched voi...
Both films cover some similar plot points: the designer's youthful innocence in his early years, his anxiety and escalating substance abuse, his complicated relationship with Berge, the pressure to be creative and the muses who inspire him. Both films feature Saint Laurent's torrid love affair with Jacques de Bascher and climax with the presentatio...
Neither of these films are documentaries, nor do they claim to be. Situations and characters are exaggerated and developed for the sake of plot. But Berge, who is notorious for being a control freak, wouldn't have given his endorsement if he disagreed with the depiction of the designer or himself. As a result, the main difference between the two fi...
Only the Berge-approved film was allowed to use actual designs from the Saint Laurent archive for filming and, not surprisingly, it makes a big difference — especially in the Russian Ballet collection scene. In Bonello's film, that collection looks like cheap costume, while in Lespert's there is no denying the quality of construction, even if the a...
Saint Laurent's muses are critical inspiration points for his work, so they have to feel extremely alluring in the films, too. His muse at Dior, Victoire, only appears in the authorized film, but both feature Betty Catroux and Loulou de la Falaise, who were regulars in the designer's life in the '60s and '70s. The casting choices in the unauthorize...
Since Bonello's film is less preoccupied with Saint Laurent the man or his fashion, it spends more of its ample running time depicting the wild culture of Paris in the '70s. Scenes of Betty whipping her hair back and forth in the disco or Saint Laurent walking into a hotel are exceptionally beautiful despite not furthering the plot. Its a hyper-sat...
Which film is more entertaining? Bonello's version, without a doubt. However, if you are less interested in watching a two-and-half-hour long drug-fueled descent of a beauty-obsessed man and moreinterested in seeing archival fashion in motion and learning about Saint Laurent's career, go with Lespert's. Either way, there will be enough pensive sket...
Does a film with haute couture as its heart guarantee an elegant cinematic experience? In the case of Yves Saint Laurent, a biopic about the legendary French couturier, the answer is a tired...
Yves Saint Laurent received mixed reviews. On film aggregation website Rotten Tomatoes, it holds a rating of 45%, with an average score of 5.3/10, based on reviews from 65 critics.
This film tells the life of the great French fashion designer, Yves Saint Laurent, concentrating on his youthful but turbulent years in Paris and Morocco. "Yves Saint Laurent" has certainly a lot of beautiful clothes and beautiful people, but it's not enough to be a good biographical film.
Jun 24, 2014 · Like volcanoes, killer meteors, and Truman Capote before him, legendary French designer Yves Saint Laurent is the subject of two simultaneous movies; the first to hit U.S. theaters is an...
