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- Batoni first gained fame as a painter of florid and elaborate mythological allegories. From the 1750s until his death, however, he was the preeminent portraitist in Rome. His smoothly finished ceremonial portraits of important personages combined elements of the Rococo, Bolognese classicism, and emergent Neoclassicism.
www.britannica.com/biography/Pompeo-Girolamo-BatoniPompeo Girolamo Batoni | Baroque Art, Neoclassicism & Rome ...
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An angelic young woman – the personification of Beauty – has caught the attention of two figures. Time, the winged man holding an hourglass, points towards her and orders his companion, Old Age, to disfigure her face. Beauty recoils as the old woman lunges towards her.
Pompeo Girolamo Batoni (25 January 1708 – 4 February 1787) was an Italian painter who displayed a solid technical knowledge in his portrait work and in his numerous allegorical and mythological pictures.
Pompeo Girolamo Batoni; Time Unveiling Truth, 1740–45 Pompeo Girolamo Batoni; Don José Moñino y Redondo, Conde de Floridablanca, c. 1776 Pompeo Girolamo Batoni; Saint Andrew, 1740–43 Pompeo Girolamo Batoni; Study for Saint Bartholomew and Drapery, c. 1740 Pompeo Girolamo Batoni; Triumph of Love (after antique bas-relief), n.d. Pompeo ...
'Batoni settled in Rome in 1727 and established himself as a leading history painter and one of Europe's most popular portrait painters. With its learned classicism, excellent draughtsmanship,...
Oct 3, 2018 · Giacinta holds a lyre, an ancient instrument more appropriate for a young noblewoman than the panpipes that served as the symbol of the Arcadian Academy. The laurel wreath, another ancient device, acknowledges Giacinta’s accomplishments as a poet.
Pompeo Girolamo Batoni (25 January 1708 – 4 February 1787) was an Italian painter who displayed a solid technical knowledge in his portrait work and in his numerous allegorical and mythological pictures.
