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May 5, 2020 · Johanna Went, Passion Container (detail) at the Box, Los Angeles, January 25–March 14, 2020. (photo by Fredrik Nilsen Studio, image courtesy the artist and the Box, LA) Went began performing in ...
- Natalie Haddad
Johanna Went Reviewed: Where to go after perfection. Johanna Went was once my favorite performance artist. She came closest to a kind of ideal I was looking for after I read Artaud's Theater and Its Double. I got to know her a little when I lived in LA from 1979 to 1982. Then we lost touch.
2022. Attention Line ,Artists Space ,Lower Manhattan, New York, USA. Johanna Went is an American Postwar & Contemporary artist who was born in 1949. Numerous key galleries and museums such as White Columns have featured Johanna Went's work in the past. Johanna Went has been featured in articles for Hyperallergic and Ocula.
- American
Aug 30, 2022 · Johanna Went Day. August 30, 2022 / DC / 8 Comments. ‘Halfway through a video of Johanna Went’s 1988 performance Passion Container, a masked, horned, enrobed figure holds up a red container that resembles an oversized organ. Blood pours from it, reddening the figure, now dancing to a No Wave beat. As the dance escalates into an ecstatic ...
Mar 29, 2016 · Johanna Went (JW): When we talk about the Lingerie show it was during in the time of the Olympics in Los Angeles, the 1984 Olympics and there was a huge art festival going on of performing arts. Of course I wasn’t included in that and I kind of didn’t really expect to be included in it but my show Knifeboxing was a reaction to that.
Johanna Went. Big-band no-wave rock rubbish (“arrangements by the musicians who played them”) from a stack of local instrumentalists as LA performance artist Went babbles her lyrics over the top. Noisy, raucous and unpleasant, soured by relentlessly squawking sax and showing no audible wit or structure, Hyena must be someone’s idea of art.
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retrospective gallery show and performance series by Johanna Went at Track 16 in SantaE Monica's Bergamot Station complex. Went was a '70s-'80s avatar, bridging the most aggressive, provocative elements of the art and punk-rock worlds, figuratively spewing her audiences withS images of brutality and vulgarity — and literally with a
